John Dowland, Baltimore Consort's ' "Tarleton’s Riserrectione (Plucked Strings)" was released on its scheduled release date, August 23, 2019. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Tarleton’s Riserrectione (Plucked Strings)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "The Food of Love: Songs, Dances, and Fancies for Shakespeare". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. In terms of popularity, Tarleton’s Riserrectione (Plucked Strings) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tarleton’s Riserrectione (Plucked Strings) by John Dowland, Baltimore Consort having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite No. 1 in C Major: II. Spagnoletta | Michael Praetorius, The New York Renaissance Band, Sally Logemann | C Major | 0 | 8B | 112 BPM | ||
| 12 Danzas españolas: No. 8, Sardana (Arr. for 2 Guitars by Eugenio Della Chiara & Pietro Locatto) | Enrique Granados, Eugenio Della Chiara, Pietro Locatto | F Major | 1 | 7B | 75 BPM | ||
| Pavana Philippi | Jan Pieterszoon Sweelinck, Harmonia Recorder Ensemble | C Major | 0 | 8B | 81 BPM | ||
| Lute Sonata in C Minor, Op. 1, No. 1: III. A tempo giusto | Adam Falckenhagen, Andrew Maginley | A♭ Minor | 1 | 1A | 78 BPM | ||
| Semper Dowland semper dolens, P. 9 | John Dowland, Nigel North | D♭ Minor | 1 | 12A | 77 BPM | ||
| Manuscrit Vaudry de Saizenay: Chaconne | Nicolas Hotman, Les Kapsber'girls | B Major | 0 | 1B | 130 BPM | ||
| Chiacona - ensemble edit | Francesco Corbetta, Andreas Nachtsheim, Daniel Resa, Nedford Sará, Andrea Hussent | B Major | 1 | 1B | 120 BPM | ||
| Recercare (I) | Francesco Spinacino, Robert Meunier | G Minor | 0 | 6A | 92 BPM | ||
| Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
| Ayres for the Violin: Aria II (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | A♭ Minor | 1 | 1A | 132 BPM | ||
| Armoniosi concerti sopra la chitarra spagnola: Alemanda Seconda (Arr. for Baroque Guitar and Theorbo by Albane Imbs) | Domenico Pellegrini, Albane Imbs, Rolf Lislevand | F♯ Major | 2 | 2B | 137 BPM | ||
| Sonata for Lute No. 8 in A Major: V. Ciacona | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 144 BPM | ||
| Adagio in F Major, Hob. XVII:9 | Joseph Haydn, Xavier De Maistre | C Major | 2 | 8B | 66 BPM | ||
| The Lone Vale | Traditional, Ronn McFarlane | D Major | 2 | 10B | 101 BPM | ||
| Fantasia in D Minor, P. 5: 7 Fantasies: No. 5, A Fancy, P. 5 | John Dowland, Nigel North | G Major | 1 | 9B | 71 BPM | ||
| Suite in D Minor: II. Tombeau de Mezangeau | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Amours amours amours | Antoine Busnois, Karl-Ernst Schröder, Crawford Young | G Major | 1 | 9B | 134 BPM | ||
| Pavane And Variations | Antonio de Cabezón, Ángel Padilla Crespo | F♯ Minor | 1 | 11A | 82 BPM | ||
| De Fuenllana : Christe | Heringman | A Minor | 0 | 8A | 62 BPM | ||
| Second book (1639): Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 0 | 11A | 93 BPM | ||
| The King of Denmarks Delight | Tobias Hume, Jordi Savall | G Major | 0 | 9B | 81 BPM | ||
| Ave Maria, CG 89a (After Bach's BWV 846) [Arr. C. Surrick for Lute & Viola da gamba] | Charles Gounod, Ronn McFarlane, Carolyn Surrick | B Major | 1 | 1B | 110 BPM | ||
| Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | ||
| The Old Bachelor, Z. 607: Hornpipe | Henry Purcell, Les Musiciens De Saint-Julien, François Lazarevitch | F♯ Major | 2 | 2B | 102 BPM | ||
| Pieces de clavecin, Book 2, 6th Ordre: Les baricades misterieuses (Arr. Y. Imamura) | François Couperin, Yasunori Imamura | A Major | 2 | 11B | 76 BPM |