The Second Waltz, Op. 99a (Arr. André Rieu) by Dmitri Shostakovich, André Rieu, Johann Strauss Orchestra Song Details

"The Second Waltz, Op. 99a (Arr. André Rieu)" by Dmitri Shostakovich, André Rieu, Johann Strauss Orchestra had its release date on April 1, 2008. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 27 in André Rieu in Wonderland by André Rieu, Johann Strauss Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Second Waltz, Op. 99a (Arr. André Rieu) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of The Second Waltz, Op. 99a (Arr. André Rieu) by Dmitri Shostakovich, André Rieu, Johann Strauss Orchestra is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -8.84 dB
Acousticness: 70%
Danceability: 14%
Energy: 43%
Instrumentalness: 4%
Liveness: 10%
Loudness: 85%
Speechiness: 3%
Valence: 6%

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