Jule Styne, Ethel Merman, Milton Rosenstock's ' "Gypsy: Rose's Turn" was released on its scheduled release date, 1959. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jule Styne, Original Broadway Cast of Gypsy's "Gypsy (Original Broadway Cast Recording)" album is number 16 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Gypsy: Rose's Turn is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gypsy: Rose's Turn by Jule Styne, Ethel Merman, Milton Rosenstock to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Other Side of the Tracks (Reprise) | Virginia Martin | G Major | 3 | 9B | 79 BPM | ||
| Cabaret: So What? | John Kander, Lotte Lenya, Harold Hastings | D♭ Major | 2 | 3B | 204 BPM | ||
| It's All The Same - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000 | Joe Darion, Mitch Leigh, Joan Diener, The Muleteers | E♭ Minor | 3 | 2A | 115 BPM | ||
| Rosie | Ann-Margret, Janet Leigh, Bobby Rydell, Dick Van Dyke | E♭ Major | 3 | 5B | 111 BPM | ||
| Shy | Carol Burnett, Joe Bova | E Minor | 4 | 9A | 136 BPM | ||
| Bill | Jerome Kern, Audra McDonald | B♭ Major | 1 | 6B | 73 BPM | ||
| Three Bedroom House | Kaitlin Hopkins, Kerry Butler | A♭ Major | 5 | 4B | 128 BPM | ||
| Tom, Dick or Harry | Ann Miller, Bob Fosse, Tommy Rall, Bobby Van | G Minor | 5 | 6A | 120 BPM | ||
| Together Wherever We Go | Rose, Herbie and Louise | A Minor | 6 | 8A | 108 BPM | ||
| Put on a Happy Face | Dick Van Dyke, Janet Leigh | A Major | 4 | 11B | 88 BPM | ||
| Montage, Part 2: Nothing | Natalie Cortez | A♭ Minor | 4 | 1A | 75 BPM | ||
| 1776: Sit Down, John | Sherman Edwards, William Daniels, 1776 Ensemble, Peter Howard | A♭ Major | 4 | 4B | 98 BPM | ||
| Never Never Land | Mary Martin, Jule Styne, Louis Adrian, Mark "Moose" Charlap, Winter Garden Theatre Orchestra | B♭ Major | 1 | 6B | 86 BPM | ||
| Been a Long Day | Claudette Sutherland, Bonnie Scott, Robert Morse, How to Succeed in Business Without Really Trying Ensemble | E♭ Major | 2 | 5B | 128 BPM | ||
| All I Do Is Dream of You | Debbie Reynolds | B♭ Major | 1 | 6B | 86 BPM | ||
| I'm Going Back | Judy Holliday | F♯ Major | 3 | 2B | 115 BPM | ||
| A Bushel And A Peck (from "Guys & Dolls") | Vivian Blaine, The Hot Box Girls | D Major | 3 | 10B | 145 BPM | ||
| Wunderbar | Kathryn Grayson, Howard Keel | A♭ Major | 3 | 4B | 103 BPM | ||
| Kids (from "Bye Bye Birdie") | Dick Van Dyke, Bryan Russell, Paul Lynde, Maureen Stapleton | C Major | 4 | 8B | 112 BPM | ||
| Candide, Act I (Remastered): Glitter and be Gay - 2017 Remastered Version | Leonard Bernstein, Barbara Cook, Candide Orchestra, Samuel Krachmalnick | A♭ Major | 2 | 4B | 172 BPM | ||
| The Ladies Who Lunch | Elaine Stritch | F Major | 5 | 7B | 117 BPM | ||
| My Lord And Master - Remastered 2001 | Rita Moreno, Darcy M. Proper, Jen Wyler | G Major | 1 | 9B | 91 BPM | ||
| Time after Time | Jule Styne, Plácido Domingo, Eugene Kohn, Harry Connick, Jr. | D♭ Major | 3 | 3B | 119 BPM | ||
| Two Ladies | Joel Grey | F♯ Major | 4 | 2B | 100 BPM | ||
| Ain’t There Anyone Here For Love | Jane Russell | A♭ Major | 3 | 4B | 102 BPM |