Cheryl Frances-Hoad, Thomas Carroll's 'Excelsus: III. Tuba Mirum' had a release date set for May 6, 2022. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Excelsus: III. Tuba Mirum's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 7 in Excelsus by Cheryl Frances-Hoad, Thomas Carroll. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Excelsus: III. Tuba Mirum's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Excelsus: III. Tuba Mirum by Cheryl Frances-Hoad, Thomas Carroll is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Katharsis: VI. Canto | Cheryl Frances-Hoad, David Cohen, Paul Hoskins, Rambert Orchestra | E Minor | 0 | 9A | 79 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Deniel Perer | E Minor | 1 | 9A | 93 BPM | ||
| I Will Lift Mine Eyes | Jake Runestad, Kantorei, Joel Rinsema | F Major | 1 | 7B | 176 BPM | ||
| Homages: II. In the Dew | Cheryl Frances-Hoad, Ivana Gavrić | A Minor | 0 | 8A | 92 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Une vierge féconde | Anonyme, Maitrise Notre-Dame De Paris, Lionel Sow, Yves Castagnet | A Minor | 1 | 8A | 77 BPM | ||
| Hodie Christus natus est, SWV 456 | Heinrich Schütz, Il Pomo D'oro, Giuseppe Maletto | F Major | 1 | 7B | 114 BPM | ||
| 3 Motets, Op. 43: No. 2, Peace I Leave with You | Knut Nystedt, The Norwegian Soloists' Choir, Grete Pedersen | D♭ Minor | 0 | 12A | 86 BPM | ||
| Holy Spirit Mass: Fount of Life: Mercy | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | A Minor | 1 | 8A | 86 BPM | ||
| Bartók: 44 Duos for Two Violins, Sz. 98: No. 11, Cradle Song | Béla Bartók, Andrew Watkinson, Ralph De Souza | E♭ Major | 0 | 5B | 67 BPM | ||
| Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| Heyr þú oss himnum á | Anna Thorvaldsdottir, Singer Pur | D Minor | 0 | 7A | 67 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Cello Concerto ‘Earth, Sea, Air’: III. Air | Cheryl Frances-Hoad, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Major | 0 | 9B | 57 BPM | ||
| Even You Song: V. Magnificat | Cheryl Frances-Hoad, Peterborough Cathedral Choir, St. Augustine's Junior School Choir, Bishop Creighton Academy Choir, West Town Primary Academy Choir, William Law CE Primary School Choir, David Humphreys, Steven Grahl | C Major | 1 | 8B | 122 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 83 BPM | ||
| Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
| Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
| Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 68 BPM | ||
| Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 88 BPM | ||
| Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | ||
| Mass for Four Voices: I. Kyrie | William Byrd, Stile Antico | F Minor | 1 | 4A | 79 BPM |