"Descent To Lazarus - From “Casper” Soundtrack" by James Horner had its release date on January 1, 1995. This song appears to be safe for all ages as it is not explicit. The song is number 11 out of 15 in Casper by James Horner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Descent To Lazarus - From “Casper” Soundtrack is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Descent To Lazarus - From “Casper” Soundtrack by James Horner is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flight Through Never land | Joel McNeely | C Major | 3 | 8B | 76 BPM | ||
| Ofelia | Javier Navarrete | F Major | 2 | 7B | 83 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Overlay of Evil / Main Title | Harry Manfredini | B Major | 2 | 1B | 76 BPM | ||
| Tristan & Yvaine | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 2 | 9B | 69 BPM | ||
| The Mountains | David Julyan | G Major | 2 | 9B | 79 BPM | ||
| Opening Title | Stephen Sondheim | D Major | 3 | 10B | 64 BPM | ||
| The Hula Hoop | Carter Burwell | C Major | 3 | 8B | 92 BPM | ||
| Back up to Annie Alone | Harry Manfredini | F Major | 2 | 7B | 75 BPM | ||
| That’s Gotta Hurt | Don Davis | E Minor | 4 | 9A | 78 BPM | ||
| The Auryn | Klaus Doldinger | F Major | 1 | 7B | 64 BPM | ||
| Launch | Trevor Rabin | C Major | 4 | 8B | 69 BPM | ||
| The Church Battle | Danny Elfman | E♭ Major | 5 | 5B | 123 BPM | ||
| Whispering Winds - The Land Before Time/Soundtrack Version | James Horner | E Minor | 0 | 9A | 92 BPM | ||
| Strip Croquet | David Newman | D Minor | 1 | 7A | 90 BPM | ||
| Cutting The Rope | Harald Kloser | D Minor | 0 | 7A | 143 BPM | ||
| The Ruins | George Fenton | D Major | 0 | 10B | 66 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| I've Made My Choice, You'll Have to Make Yours | Geoff Zanelli | A Minor | 6 | 8A | 86 BPM | ||
| Death Is Temporary | Isabella Summers | A Minor | 8 | 8A | 128 BPM | ||
| Opening Sequence (With Sweetners) | David Shire | F♯ Minor | 1 | 11A | 80 BPM | ||
| The Green Mile | Thomas Newman | A Minor | 2 | 8A | 112 BPM | ||
| Canibales | Armonias | A Major | 2 | 11B | 144 BPM | ||
| The Buoyant Swordsman | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 4 | 7A | 106 BPM |