Gene Watson's ' "The City" was released on its scheduled release date, 2005. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. The City's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gene Watson's "Gospel At Its Best" album is number 4 out of 10. The popularity of The City is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The City by Gene Watson to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| That's What Makes The Juke Box Play | Moe Bandy | D Major | 5 | 10B | 117 BPM | ||
| Saying Hello, Saying I Love You, Saying Goodbye | Jim Ed Brown, Helen Cornelius | A Major | 2 | 11B | 70 BPM | ||
| Almost Persuaded | David Houston, Barbara Mandrell | E♭ Major | 4 | 5B | 100 BPM | ||
| Country Girls | John Schneider | D Major | 3 | 10B | 105 BPM | ||
| Lovin' On Borrowed Time | MEL STREET | A Major | 3 | 11B | 100 BPM | ||
| Backside Of Thirty | John Conlee | G Major | 4 | 9B | 93 BPM | ||
| Who’ll Turn Out The The Lights (In Your World Tonight) | MEL STREET | F♯ Major | 5 | 2B | 93 BPM | ||
| Keep It Country | Jackson Harris, Gene Watson | C Major | 5 | 8B | 147 BPM | ||
| All Around Cowboy of 1964 | Buddy Alan | F♯ Major | 5 | 2B | 181 BPM | ||
| War Is Hell (On the Homefront Too) | T.G. Sheppard | F Major | 5 | 7B | 170 BPM | ||
| Commercial Affection | Mel Tillis & The Statesiders | D♭ Major | 2 | 3B | 136 BPM | ||
| If I Had To Do It All Over Again | Roy Clark | D Major | 2 | 10B | 72 BPM | ||
| Till the End | Vern Gosdin | A Major | 3 | 11B | 93 BPM | ||
| One More Drink and Then I'll Go (Duet with Johnny Bush) | Justin Trevino | A♭ Major | 5 | 4B | 191 BPM | ||
| This Woman Is Mine | Vernon Oxford | A Major | 3 | 11B | 129 BPM | ||
| My Ship's Comin' In | Mel McDaniel | B Major | 4 | 1B | 80 BPM | ||
| I Don't Want to Have to Marry You | Jim Ed Brown, Helen Cornelius | A Major | 3 | 11B | 78 BPM | ||
| Here Today And Gone Tomorrow | The Kendalls | D Major | 3 | 10B | 172 BPM | ||
| Take Good Care Of Her | Sonny James | A♭ Major | 3 | 4B | 100 BPM | ||
| The Door Is Always Open | Dave and Sugar | F Major | 5 | 7B | 188 BPM | ||
| Talkin' to the Wrong Man | Michael Martin Murphey | B Major | 2 | 1B | 82 BPM | ||
| Everything That Glitters (Is Not Gold) | Dan Seals | E Major | 3 | 12B | 112 BPM | ||
| Prisoner of Hope | Johnny Lee | F Major | 3 | 7B | 205 BPM | ||
| I'm Gonna Leave You Tomorrow | John Schneider | G Major | 2 | 9B | 97 BPM | ||
| One in a Million | Johnny Lee | G Major | 4 | 9B | 120 BPM |