"Mathis Der Maler, 7th Tableau, Final Scene: Auf denn zum lezten Stück des Wegs (Mathis)" by Paul Hindemith, Rafael Kubelík, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Mathis Der Maler, 7th Tableau, Final Scene: Auf denn zum lezten Stück des Wegs (Mathis)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 21 out of 61. On top of that, United Kingdom appears to be the country where this track was created. Mathis Der Maler, 7th Tableau, Final Scene: Auf denn zum lezten Stück des Wegs (Mathis) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mathis Der Maler, 7th Tableau, Final Scene: Auf denn zum lezten Stück des Wegs (Mathis) by Paul Hindemith, Rafael Kubelík, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| Petit Quatour pour Saxophones - Arr. Rainer Schottstadt: 2. Cantilène | Jean Françaix, The Clarinotts | F Minor | 0 | 4A | 134 BPM | ||
| Violin Sonata, FP 119: Allegro con fuoco | Francis Poulenc, Graf Mourja, Alexandre Tharaud | B♭ Minor | 1 | 3A | 124 BPM | ||
| Kodály: Duo for Violin and Cello, Op. 7: II. Adagio (Live at Saratoga Performing Arts Centre, 1998) | Zoltán Kodály, Truls Mørk, Chantal Juillet | E♭ Major | 0 | 5B | 106 BPM | ||
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| Martinu: Piano Quartet No. 1, H. 287: II. Adagio | Bohuslav Martinů, Domus | D Minor | 1 | 7A | 85 BPM | ||
| Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
| Honegger : Symphony No.1 in C major : II Adagio | Arthur Honegger, Charles Dutoit, Bavarian Radio Symphony Orchestra | B Major | 0 | 1B | 78 BPM | ||
| Violin Concerto: II. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 94 BPM | ||
| Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
| Overture: Overture | Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo | B Major | 0 | 1B | 112 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
| String Quartet No.1 in A Major | Alexander Borodin, Borodin Quartet | A Minor | 1 | 8A | 117 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
| Clarinet Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio (Arr. L. Berio for Clarinet & Orchestra) | Thomas Selle, Veronika Winter, Stephanie Petitlaurent, Simone Eckert, Ulrich Wedemeier, Michael Fuerst | A♭ Major | 0 | 4B | 111 BPM | ||
| Concerto for Viola and Orchestra: III. Allegro moderato | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | D Minor | 1 | 7A | 88 BPM | ||
| Debussy: Sonata for Flute, Viola and Harp, CD 145, L. 137: III. Finale - Allegro moderato ma risoluto | Claude Debussy, Emmanuel Pahud, Gérard Caussé, Marie-Pierre Langlamet | B♭ Minor | 1 | 3A | 100 BPM | ||
| Adagio (Elegy) For String Quartet - Live | Dmitri Shostakovich, Emerson String Quartet | F♯ Minor | 0 | 11A | 90 BPM | ||
| Piano Quintet No. 2 "Transience Patterns": I. Prelude | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | E♭ Major | 0 | 5B | 106 BPM | ||
| Violin Sonata No. 1, Op. 31: V. Prestissimo | Paul Hindemith, Herwig Zack | G Minor | 1 | 6A | 81 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM |