"L'entretien des muses - Hugar Rework (After Jean-Philippe Rameau)" by Hugar, Víkingur Ólafsson had its release date on March 12, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Reflections". In this album, this song's track order is #6. In terms of popularity, L'entretien des muses - Hugar Rework (After Jean-Philippe Rameau) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With L'entretien des muses - Hugar Rework (After Jean-Philippe Rameau) by Hugar, Víkingur Ólafsson having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Familiar | ABBOTT, Canea Quartett | A♭ Minor | 2 | 1A | 125 BPM | ||
| Kaiwata Tsuki - The Barren Moon | Lucy Claire | C Minor | 1 | 5A | 106 BPM | ||
| A Walking Embrace | Nils Frahm | A Major | 1 | 11B | 183 BPM | ||
| Candela (For Sascha Heeney) | Matthew Bourne | G Minor | 1 | 6A | 130 BPM | ||
| COLLAB 2 | Bruno Sanfilippo, Pepo Galan, Onix | D♭ Major | 1 | 3B | 174 BPM | ||
| Habu (Hunting Hunters) | beGun, Ian Urbina | E Minor | 2 | 9A | 120 BPM | ||
| Intro | Phoria | B♭ Major | 2 | 6B | 68 BPM | ||
| Dislodged | Mike Lazarev | E Minor | 0 | 9A | 79 BPM | ||
| Afterwards | Jakob Lindhagen | A Minor | 2 | 8A | 85 BPM | ||
| Robert's Daughters | Atli Örvarsson | G Minor | 1 | 6A | 97 BPM | ||
| Enfolding | Jim Perkins | C Major | 0 | 8B | 84 BPM | ||
| Still Day | Roger Eno, Scoring Berlin, Christian Badzura | D Minor | 1 | 7A | 69 BPM | ||
| There, Before Me | Pêtr Aleksänder | D Minor | 0 | 7A | 71 BPM | ||
| Dagdraumur | Eydís Evensen | B♭ Minor | 0 | 3A | 73 BPM | ||
| CRISALIDE 6 | Puppi | A Minor | 3 | 8A | 150 BPM | ||
| Wayfare | Variant Sea | D♭ Minor | 1 | 12A | 92 BPM | ||
| Reykjavík | Hugar | C Major | 0 | 8B | 160 BPM | ||
| The Something Else | Pêtr Aleksänder | D Major | 2 | 10B | 114 BPM | ||
| Red | Kyle McEvoy, Sunshine Recorder | A Minor | 2 | 8A | 129 BPM | ||
| The Nude and the Quiet | Simon P. Castonguay, Tambour | B Major | 2 | 1B | 149 BPM | ||
| Solanales | Balmorhea | D Major | 0 | 10B | 69 BPM | ||
| Flight from the City | Jóhann Jóhannsson, Yuki Numata Resnick, Tarn Travers, Ben Russell, Clarice Jensen | B♭ Major | 1 | 6B | 90 BPM | ||
| Duvet | Niklas Paschburg, Andy Barlow | F♯ Major | 2 | 2B | 73 BPM | ||
| Some | Nils Frahm | F Major | 0 | 7B | 76 BPM | ||
| Lilac | Emil Brandqvist | C Major | 0 | 8B | 90 BPM |