Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andante sostenuto by Pyotr Ilyich Tchaikovsky, Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester Song Details

"Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andante sostenuto" by Pyotr Ilyich Tchaikovsky, Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester had its release date on November 8, 2024. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Rococo". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andante sostenuto is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andante sostenuto by Pyotr Ilyich Tchaikovsky, Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 27%
Loudness: -20.242 dB
Acousticness: 99%
Danceability: 20%
Energy: 12%
Instrumentalness: 85%
Liveness: 11%
Loudness: 66%
Speechiness: 4%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman)	Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev	D♭ Major	1	3B	101 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)	Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason	A Major	1	11B	89 BPM
Piano Quartet in C Minor, Op. 60: III. Andante	Johannes Brahms, Mariani Klavierquartett	D Minor	0	7A	86 BPM
Cançoneta for Violin and Orchestra	Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	0	11B	70 BPM
Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia - Radio Edit	Clara Schumann, Alexandra Dariescu, Philharmonia Orchestra, Tianyi Lu	A♭ Major	0	4B	175 BPM
Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)	Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
Symphonie fantastique: V. Dream of a Witches' Sabbath, Larghetto - Allegro)	Hector Berlioz, Philadelphia Orchestra, Christoph Eschenbach	C Minor	1	5A	61 BPM
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods, Op. 68/5, B. 173	Antonín Dvořák, Alisa Weilerstein, Anna Polonsky	F♯ Major	0	2B	92 BPM
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach)	Robert Schumann, Benjamin Grosvenor	E♭ Major	0	5B	99 BPM
Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto	Louise Farrenc, David Berlin, Benjamin Martin	A♭ Major	0	4B	65 BPM
Kol Nidrei - Adagio For Cello, Opus 47	Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim	D Major	1	10B	81 BPM
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano)	Robert Schumann, Lynn Harrell, Bruno Canino	F Major	0	7B	67 BPM
Arc de Triunfo de Barcelona	Mikael Virtanen, Bastian Verte	G Minor	0	6A	67 BPM
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra)	Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic	B♭ Major	1	6B	93 BPM
Piano Quintet In A, Op.81, B. 155: 2. Dumka (Andante con moto)	Antonín Dvořák, Menahem Pressler, Emerson String Quartet	D Major	0	10B	89 BPM
On an Overgrown Path, JW VIII/17, Book 1: VII. Good Night	Leoš Janáček, Marc-André Hamelin	G Major	0	9B	68 BPM
Cello Concerto in C Minor, RV 401: II. Adagio	Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer	C Major	1	8B	118 BPM
Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante	Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky	E♭ Major	0	5B	177 BPM
String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble)	Florence Beatrice Price, Sphinx Virtuosi	E Minor	2	9A	116 BPM
Cascade I	Julius Asal	E Major	1	12B	64 BPM
II. Passacaglia "Death of Falstaff"	William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra	E Minor	1	9A	109 BPM
Souvenir de Florence, Op. 70, TH 118: III. Allegro moderato - Live from Verbier Festival / 2013	Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz	A Minor	2	8A	87 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano)	Richard Strauss, Angela Hewitt	A Major	2	11B	143 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester	E♭ Major	1	5B	113 BPM
Oboe Concerto, Op. 20: II. Andante	Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba	F Minor	0	4A	67 BPM