Gopal Mathpal, Meena Rana's ' "Danda Nachi Mor" was released on its scheduled release date, 2012. This song is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 4 out of 7 in Baith Tawera Maa by Gopal Mathpal, Meena Rana. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Danda Nachi Mor is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Danda Nachi Mor by Gopal Mathpal, Meena Rana is Prestissimo (even faster than presto), since this song has a tempo of 203 BPM. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Panduranga Ra Karuna Kara Ra | Chandrashekhar Gadgil | B♭ Major | 9 | 6B | 96 BPM | ||
| Main To Pasar Pasar Khaavan Dhok | Amit Kalra meetu | A Major | 8 | 11B | 83 BPM | ||
| Patire Dabu Tope Kunda Pani | Ghanashyam Panda | B Minor | 8 | 10A | 144 BPM | ||
| Mukhthi Bolo Namah Shivay | Farida Mir | F♯ Minor | 7 | 11A | 105 BPM | ||
| Balak Abodhe Bujhike | Vishnu Ojha | B♭ Major | 6 | 6B | 88 BPM | ||
| Vhalu Lage Mune Mohan | Baps Swaminarayan Sanstha | A♭ Minor | 4 | 1A | 86 BPM | ||
| Ghumshyan Angaat Aal | Vaishali Samant, Swapnil Bandodkar | G Major | 8 | 9B | 164 BPM | ||
| Vanla Re Vaaya Kanuda | Lalita Ghodadra | B♭ Major | 5 | 6B | 119 BPM | ||
| A For Ambedkar | Anand Shinde | B♭ Major | 6 | 6B | 97 BPM | ||
| Pada Bajigale Bishnu Kahibu | Namita Agrawal | F Major | 9 | 7B | 76 BPM | ||
| Vidaai Ke Sathe Nevta | Pawan Singh | A♭ Major | 9 | 4B | 136 BPM | ||
| Jame Kya Khaak | Lakhbir Singh Lakkha | D♭ Major | 7 | 3B | 97 BPM | ||
| Mor Mirignayani | Laxmi Narayan Pandey | A♭ Major | 8 | 4B | 136 BPM | ||
| Vo dekho chor hari | Shradey gaurav krishna goswami | D♭ Major | 6 | 3B | 104 BPM | ||
| Chakor Bole | Gopal Mathpal, Kamlesh Misra, Mainaali | C Minor | 9 | 5A | 166 BPM | ||
| Khatu Shyam Chalisa | Manoj Mishra | C Minor | 7 | 5A | 96 BPM | ||
| Aanchar Bheej Gail - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 7 | 5B | 100 BPM | ||
| Jabse Chadal Bayisaakhna | Radhe Shyam Rasiya, Vinay Bihari | E Major | 6 | 12B | 182 BPM | ||
| Bairi Pairi La | Mamta Chandrakar, Sunil Soni | A♭ Major | 8 | 4B | 142 BPM | ||
| Mor Panv Ma Padge | Dukalu Yadav | D♭ Minor | 8 | 12A | 80 BPM | ||
| Paad Badiya Cha Ki | Preetam Bhartwan, Meena Rana | G Major | 9 | 9B | 102 BPM | ||
| Tero Katu Bholo Roop | Gopal Mathpal | F♯ Major | 9 | 2B | 164 BPM | ||
| Jo Sua Lage Na Rahi | Gopal Mathpal, Hema Dhyani | A♭ Major | 3 | 4B | 101 BPM | ||
| Bimla Kibhali Bana | Rajendra Khulbe | C Major | 7 | 8B | 111 BPM | ||
| Jay Krishan Kanhaiya Hari | Gopal Mathpal | A Minor | 5 | 8A | 156 BPM |