"Happy Birthday Variations: Var. 1 (After J.S. Bach)" by Peter Heidrich, Quartetto d'Archi di Venezia had its release date on January 1, 2006. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 6 out of 26 in Fun Time with the String Quartet by Quartetto d'Archi di Venezia. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Happy Birthday Variations: Var. 1 (After J.S. Bach) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Happy Birthday Variations: Var. 1 (After J.S. Bach) by Peter Heidrich, Quartetto d'Archi di Venezia is Lento (slowly), since this song has a tempo of 49 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pedro y el lobo, Op. 67: II. Pedro en el prado | Sergei Prokofiev, Orchestre de la Suisse Romande, Kent Nagano, Antonio Banderas | E♭ Major | 1 | 5B | 48 BPM | ||
| Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
| Russian Romances and Folksongs - Arr. Gesine Tiefuhr: "A skorb, uiti, pecal umci skoree" (O pain, pass away, soon the sadness wil be gone) | Traditional, Boris Christoff, Balalaika Orchester Dima Liakhoff, Dima Liakhoff, Michael Achilles, Jürgen Brüggebors, Gaston Maugras, Herve Le Floch, Peter Heidrich, Emilia Baranowska, Jean-Marie Gemard, Gesine Tiefuhr | E Minor | 1 | 9A | 174 BPM | ||
| Symphony No. 1 In D, Op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
| Simple Serenade | Patrick Thomas Hawes | A Major | 0 | 11B | 78 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1: Böhmischer Walzer | Carl Maria von Weber, Joseph Keilberth, Berliner Philharmoniker | G Major | 5 | 9B | 119 BPM | ||
| No. 2, Vltava (Moldau) | Bedřich Smetana, Malaysian Philharmonic Orchestra, Claus Peter Flor | E Minor | 1 | 9A | 80 BPM | ||
| Peer Gynt Suite No. 1, Op.46: I. Morning Mood | Edvard Grieg, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 97 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| String Quartet in F Major, Op. 3, No. 5, Hob. III:17, "Serenade": II. Andante cantabile (arr. L. Stokowski for orchestra) [Attrib. To Hoffstetter] | Joseph Haydn, Bournemouth Symphony Orchestra, José Serebrier | E Minor | 2 | 9A | 66 BPM | ||
| Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 1 | 8B | 124 BPM | ||
| Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Overture, Op. 21, MWV P3 | Felix Mendelssohn, André Previn, London Symphony Orchestra | D Minor | 2 | 7A | 64 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Giulio Franzetti, I Solisti Dell'Orchestra Filarmonica Della Scala, Robert Kettelson, Riccardo Muti | C Minor | 2 | 5A | 193 BPM | ||
| España | Emmanuel Chabrier, Boston Symphony Orchestra, Seiji Ozawa | F Major | 3 | 7B | 126 BPM | ||
| The Waltzing Cat | Leroy Anderson, Eastman-Rochester Pops Orchestra, Frederick Fennell | G Major | 2 | 9B | 118 BPM | ||
| Vremena goda (the Seasons), Op. 67: Autumn. Petit Adagio [1] | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A Major | 0 | 11B | 81 BPM | ||
| Bryllupsdag på Troldhaugen (Wedding Day at Troldhaugen), Op. 65, No. 6 | Edvard Grieg, Tasmanian Symphony Orchestra, Sebastian Lang-Lessing | G Major | 1 | 9B | 125 BPM | ||
| Funiculi Funicula | Five Sense | F Major | 2 | 7B | 138 BPM | ||
| L'invitation au château, FP 138: Acte 2: Tango | Francis Poulenc, Eric Le Sage | F Minor | 0 | 4A | 97 BPM | ||
| Musikalische Schlittenfahrt: 19. Schlittenfahrt | Leopold Mozart, Ensemble Eduard Melkus, Eduard Melkus | F Major | 5 | 7B | 119 BPM | ||
| Symphonie Fantastique, Op. 14: II. Un bal | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | A Major | 0 | 11B | 166 BPM | ||
| Die Forelle (The Trout) | Franz Schubert, Hellen Kwon | E Major | 0 | 12B | 125 BPM | ||
| 8 Slavonic Dances, Op. 46: No. 1 in C (Presto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | F Major | 3 | 7B | 88 BPM | ||
| Sous le ciel de Paris | Hubert Giraud, Daniel Ottensamer, Münchner Symphoniker, Stephan Koncz | C Minor | 1 | 5A | 104 BPM | ||
| Concerto for Cello & Wind Band: V. Finale: Alla Marcia | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | F Major | 2 | 7B | 153 BPM |