"After Hours" by Sarah Vaughan had its release date on April 12, 1955. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. After Hours's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 12 in After Hours by Sarah Vaughan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, After Hours's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of After Hours by Sarah Vaughan is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Only Have Eyes For You | Billie Holiday | C Major | 0 | 8B | 103 BPM | ||
| Since I Fell For You - Rudy Van Gelder Edition / 2007 / Digital Remaster | Lee Morgan | A♭ Major | 2 | 4B | 166 BPM | ||
| Drinking Again | Dinah Washington | G Major | 2 | 9B | 68 BPM | ||
| It's Bad For Me | Jeri Southern | E♭ Major | 3 | 5B | 123 BPM | ||
| The Man I Love | Sarah Vaughan | B♭ Minor | 2 | 3A | 81 BPM | ||
| My Foolish Heart | Ethel Ennis | F Major | 0 | 7B | 79 BPM | ||
| I Concentrate On You | Fred Astaire | C Major | 0 | 8B | 103 BPM | ||
| Don't Explain | Helen Merrill | B♭ Minor | 1 | 3A | 172 BPM | ||
| Cry Me a River - Digitally Remastered | Dinah Washington | A♭ Major | 4 | 4B | 102 BPM | ||
| When Your Lover Has Gone | Sue Raney | D♭ Major | 3 | 3B | 120 BPM | ||
| The Boy From Ipanema | Nancy Wilson | C Minor | 4 | 5A | 141 BPM | ||
| I'll Be Seeing You | Sarah Vaughan | D♭ Major | 2 | 3B | 168 BPM | ||
| As Time Goes By | Billie Holiday | E Minor | 1 | 9A | 78 BPM | ||
| I Don’t Stand A Ghost of A Chance With You | Helen Forrest | D♭ Major | 0 | 3B | 79 BPM | ||
| There's A Boat Dat's Leavin' Soon For New York | Ernestine Anderson | A Minor | 2 | 8A | 117 BPM | ||
| The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
| How Deep Is The Ocean | Catherine Russell | F Minor | 3 | 4A | 105 BPM | ||
| Saturday Night is the Loneliest Night | Anne Phillips | B♭ Minor | 2 | 3A | 102 BPM | ||
| One For My Baby | Dianne Reeves | G Major | 1 | 9B | 206 BPM | ||
| My Foolish Heart | Carmen McRae | F♯ Major | 2 | 2B | 78 BPM | ||
| It Might As Well Be Spring | Blossom Dearie | F♯ Major | 0 | 2B | 117 BPM | ||
| It Isn't So Good | Irene Kral | A♭ Major | 4 | 4B | 108 BPM | ||
| Smoke Gets In Your Eyes | Dinah Washington | A♭ Major | 3 | 4B | 84 BPM | ||
| Tea For Two | Blossom Dearie | B♭ Minor | 0 | 3A | 100 BPM | ||
| When I Fall In Love | Carmen McRae | B♭ Major | 0 | 6B | 88 BPM |