Craig Armstrong's 'In Love With Karl' had a release date set for 2003. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Craig Armstrong's "Love Actually (Original Motion Picture Score)" album is number 5 out of 33. On top of that, United States appears to be the country where this track was created. In Love With Karl is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In Love With Karl by Craig Armstrong to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Italia | Gabriel Yared | F Major | 1 | 7B | 69 BPM | ||
| Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
| Erzsébet | Daniel Blumberg | C Major | 1 | 8B | 83 BPM | ||
| Yarmouth | Christopher Willis | G Major | 2 | 9B | 74 BPM | ||
| Goodnight Dear Void | George Fenton | E Minor | 1 | 9A | 115 BPM | ||
| Together Again | Stephen Rennicks | F Minor | 0 | 4A | 64 BPM | ||
| Footloose and Fancy Free | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Heatmiser 2 | Craig Armstrong, Grantley Marshall, Robert Del Naja, Marius de Vries, Andrew Vowles | C Minor | 3 | 5A | 184 BPM | ||
| Sword of the Ancestors | Marcel Barsotti | A Minor | 3 | 8A | 108 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| I Built Myself A Life | Mark Isham | A♭ Major | 1 | 4B | 82 BPM | ||
| Home And The Betrothal | Richard Robbins, Richard Robbins And Orchestra, Orchestra | G Major | 1 | 9B | 99 BPM | ||
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| Títulos Finales | Fernando Velázquez | D Major | 2 | 10B | 113 BPM | ||
| Guilty | Paul Cantelon | C Minor | 1 | 5A | 91 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| Glasgow Love Theme - Extended Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik, Katalin Sarkady | A Major | 2 | 11B | 68 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| How Could You Leave Us | John Ottman | D Minor | 1 | 7A | 87 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| We Can Try | Theodore Shapiro | C Major | 0 | 8B | 84 BPM | ||
| The Deer | William Ross | B Minor | 2 | 10A | 92 BPM | ||
| I'm In Love - Extended Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik | C Major | 4 | 8B | 67 BPM | ||
| The Mirror | The Mirror Has Two Faces (Soundtrack) | E Minor | 1 | 9A | 72 BPM |