Purcell: King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Frost Scene. "What Power Art Thou" (Cold Genius) by Henry Purcell, John Eliot Gardiner, Stephen Varcoe, English Baroque Soloists Song Details

Henry Purcell, John Eliot Gardiner, Stephen Varcoe, English Baroque Soloists's 'Purcell: King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Frost Scene. "What Power Art Thou" (Cold Genius)' had a release date set for January 1, 1985. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Purcell: King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Frost Scene. "What Power Art Thou" (Cold Genius)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Purcell: King Arthur (Highlights)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. In terms of popularity, Purcell: King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Frost Scene. "What Power Art Thou" (Cold Genius) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With Purcell: King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Frost Scene. "What Power Art Thou" (Cold Genius) by Henry Purcell, John Eliot Gardiner, Stephen Varcoe, English Baroque Soloists having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 19%
Loudness: -29.429 dB
Acousticness: 93%
Danceability: 78%
Energy: 5%
Instrumentalness: 0%
Liveness: 44%
Loudness: 51%
Speechiness: 14%
Valence: 21%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Symphony No. 2 in E Minor, Op. 27: II. Allegro molto	Sergei Rachmaninoff, Radio Sinfonieorchester Stuttgart des SWR, Neville Marriner	A♭ Major	0	4B	123 BPM
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Il trovatore: Act II: Vedi, le fosche notturne	Giuseppe Verdi, Zsuzsa Csonka, Franco de Grandis, Maurizio Frusoni, Daniela Longhi, Jozsef Mukk, Sandor Pasztor, Roberto Servile, Janos Tandari, Irina Tchistjakova, Budapest Festival Chorus, Hungarian State Opera Orchestra, Will Humburg	C Major	4	8B	115 BPM
Pergolesi: Stabat Mater in F Minor, P. 77: II. Cuius animam gementem (Soprano)	Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale	F♯ Major	1	2B	82 BPM
Agnus Dei, Adagio Op. 11	Samuel Barber, Accentus, Laurence Equilbey	B♭ Minor	1	3A	74 BPM
Nabucco / Act 3: "Va, pensiero, sull'ali dorate"	Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso	D♭ Major	1	3B	77 BPM
Symphony in C Minor, J-C 9: I. Allegro	Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon	F♯ Major	1	2B	137 BPM
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L'elisir d'amore (The Elixir of Love): Act II Scene 8: Romance - Una furtiva lagrima	Gaetano Donizetti, Vincenzo La Scola, Alessandra Ruffini, Simone Alaimo, Roberto Frontali, Mariangela Spotorno, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi	A♭ Major	3	4B	176 BPM
Les contes d'Hoffmann: Act II: Barcarolle: Belle nuit	Jacques Offenbach, Anton Guadagno, Montserrat Caballé, Shirley Verrett, New Philharmonia Orchestra	D Major	2	10B	66 BPM
Nabucco / Act 3: Va pensiero, sull'ali dorate	Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin	E♭ Major	2	5B	117 BPM
An die Sonne - Reprise	Leonard Küßner, Leoard Küßner, Slovak National Symphony Orchestra, Birita Poulsen, Fanny Soyer	B♭ Major	1	6B	170 BPM
Les Troyens / Act 5: No. 38 Chanson d'Hylas: "Vallon sonore"	Hector Berlioz, Ryland Davies, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis	A♭ Major	1	4B	81 BPM
Pergolesi: Stabat Mater: I. Stabat mater dolorosa	Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis	E Minor	0	9A	138 BPM
Requiem, Op. 48: 7. In paradisum	Gabriel Fauré, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Sir Colin Davis	G Major	1	9B	145 BPM
Stabat Mater: 12. Quando corpus - Amen	Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset	E Minor	1	9A	173 BPM
Puccini: Turandot, Act 3: "Nessun dorma!" (Calaf, Chorus)	Giacomo Puccini, Alain Lombard, Choeurs De L'Opera Du Rhin, Orchestre Philharmonique De Strasbourg	E♭ Major	0	5B	90 BPM
O frondens virga (Arr. Missy Mazzoli)	Hildegard von Bingen, Emily D'Angelo, Mikayel Hakhnazaryan	E Minor	0	9A	86 BPM
Rusalka, Op. 114, Act I: Mesicku na nebi hlobokem	Antonín Dvořák, Karita Mattila, Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste	A♭ Major	1	4B	78 BPM
Stabat Mater	Andreas Scholl	F Major	1	7B	85 BPM
Beata viscera (monophonic conductus)	Pérotin, Tonus Peregrinus, Antony Pitts	D♭ Minor	1	12A	66 BPM
Troisième Leçon de Ténèbres	François Couperin, Jordi Savall	A Minor	0	8A	209 BPM
Vivaldi: Filiae Mestae Jerusalem, RV 638: "Sileant Zephyri"	Antonio Vivaldi, Philippe Jaroussky, Artaserse	F Minor	0	4A	138 BPM