Glenn Miller's 'Blue Evening - 1989 Remastered' had a release date set for June 6, 1989. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 60 in the song's album "RCA Original Masters". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. In terms of popularity, Blue Evening - 1989 Remastered is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Blue Evening - 1989 Remastered by Glenn Miller having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| About a Quarter to Nine - From Paper Moon | Ozzie Nelson & His Orchestra | B♭ Major | 6 | 6B | 113 BPM | ||
| A Nightingale Sang in Berkeley Square | Glenn Miller | A♭ Major | 1 | 4B | 76 BPM | ||
| Laura - 2000 - Remaster | Woody Herman | E♭ Major | 2 | 5B | 86 BPM | ||
| Careless | Glenn Miller Orchestra, Ray Eberle, Chummy MacGregor | G Minor | 3 | 6A | 99 BPM | ||
| The One Rose (That's Left In My Heart) | Bea Wain | A♭ Major | 1 | 4B | 180 BPM | ||
| On the Beach with You | Bunny Berigan, Chester Leighton & His Sophomores | D♭ Major | 0 | 3B | 105 BPM | ||
| Blue Skies Are Around The Corner | Jack Hylton & His Orchestra | G Major | 4 | 9B | 133 BPM | ||
| You Took the Words Right out of My Heart | Dorothy Lamour | B♭ Major | 1 | 6B | 98 BPM | ||
| Amor | Xavier Cugat | C Major | 3 | 8B | 138 BPM | ||
| Blue Evening - 1989 Remastered | Glenn Miller | G Minor | 1 | 6A | 110 BPM | ||
| Goodnight, My Lucky Day (Carroll Gibbons; The Savoy Hotel Orpheans) | Carroll Gibbons, The Savoy Hotel Orpheans | C Major | 1 | 8B | 101 BPM | ||
| Drummin' Man | Gene Krupa | C Minor | 8 | 5A | 113 BPM | ||
| Over The Rainbow | Glenn Miller & The Dorsey Brothers | B♭ Major | 3 | 6B | 98 BPM | ||
| While the Music Plays On | Jimmy Dorsey & His Orchestra, Helen O'Connell, Bob Eberly | B♭ Minor | 3 | 3A | 98 BPM | ||
| Oh What It Seemed To Be | Charlie Spivak & His Orchestra | F♯ Major | 1 | 2B | 123 BPM | ||
| You're Everything to Me | George Formby | A♭ Major | 4 | 4B | 120 BPM | ||
| Ballerina | Buddy Clark | B♭ Major | 1 | 6B | 135 BPM | ||
| Slap That Bass | Jimmy Dorsey & His Orchestra | A♭ Major | 3 | 4B | 186 BPM | ||
| My Song | Rudy Vallee and His Connecticut Yankees | A♭ Major | 1 | 4B | 116 BPM | ||
| LAURA | Woody Herman | E♭ Major | 2 | 5B | 88 BPM | ||
| Dreamer's Holiday | Les Brown & His Orchestra, Lucy Ann Polk | G Major | 2 | 9B | 82 BPM | ||
| Give Me Five Minutes More | Tex Beneke | D♭ Major | 0 | 3B | 105 BPM | ||
| Don't Ever Walk in the Shadows | Bud Flanagan, Chesney Allen | E Minor | 3 | 9A | 113 BPM | ||
| Me and My Melinda (with Johnny Desmond) | Gene Krupa & His Orchestra, Johnny Desmond | A♭ Major | 3 | 4B | 153 BPM | ||
| Blueberry | Jimmy Dorsey | F Minor | 2 | 4A | 114 BPM |