Mohammed Rafi's ' "Tum Sab Ko Chhod Kar" was released on its scheduled release date, January 1, 1963. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 7 in Dil Ek Mandir by Shankar Jaikishan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Tum Sab Ko Chhod Kar's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Tum Sab Ko Chhod Kar by Mohammed Rafi is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ladke Aaj Ke Ladke | Anu Malik, Poornima | A Minor | 9 | 8A | 185 BPM | ||
| Be Irada Nazar Mil Gayi Toh | Vipin Sachdeva | A♭ Major | 7 | 4B | 132 BPM | ||
| Dil Hai Ki Manta Nahin (From "Dil Hai Ke Manta Nahin") | Anuradha Paudwal, Kumar Sanu | A♭ Major | 5 | 4B | 118 BPM | ||
| Tumne Pukara Aur Hum Chale Aaye | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 94 BPM | ||
| Strepcils Voice Over And Rimjhim Ke Tarane Leke Aai Barsaat | Geeta Dutt, Mohammed Rafi, S. D. Burman | F♯ Major | 7 | 2B | 101 BPM | ||
| Mere Piya Gaye Rangoon | Shamshad Begum, C. Ramchandra | D Major | 7 | 10B | 143 BPM | ||
| Dhadakte Dil Ki Tamanna | Suraiya | B♭ Major | 6 | 6B | 72 BPM | ||
| Brishti Pade Tapur Tupar | Suresh Wadkar, Hemlata | G Major | 6 | 9B | 156 BPM | ||
| Tarari Tarari | Suraiya, Mohammed Rafi | A♭ Major | 2 | 4B | 177 BPM | ||
| Main Teri Nazar Ka Suroor Hoon | Talat Mahmood | G Major | 4 | 9B | 142 BPM | ||
| Kismat Ke Khel Nirale Mere Bhaiya | Ravi | G Major | 4 | 9B | 183 BPM | ||
| Ankhon Hi Ankhon Mein | O. P. Nayyar, Jan Nisar Akhtar | F Major | 4 | 7B | 159 BPM | ||
| Commentry Tabassum And Khwab Ho Tum Ya Koi Haqeeqat | Tabassum, Kishore Kumar, S. D. Burman | G Major | 4 | 9B | 121 BPM | ||
| Husnwale Tera Jawab Nahin | Mohammed Rafi | E Major | 2 | 12B | 95 BPM | ||
| Chandi Ki Cycle Sone Ki Seat (From "Bhabhi") | Nitin Mukesh, Anuradha Paudwal | G Minor | 8 | 6A | 98 BPM | ||
| Dhoom Mach Gai Dhoom | Usha Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | F Major | 8 | 7B | 91 BPM | ||
| Piya Aiso Jiya Men Samaya Gayo | Geeta Dutt, Hemant Kumar | E Major | 5 | 12B | 134 BPM | ||
| Ham Haal-E-Dil Sunaenge | Mubarak Begum | F♯ Minor | 1 | 11A | 89 BPM | ||
| Badal Jaye Agar Mali | Mahendra Kapoor | A Major | 2 | 11B | 75 BPM | ||
| Dil Tera Diwana Hai Sanam | Lata Mangeshkar, Mohammed Rafi | D Minor | 8 | 7A | 120 BPM | ||
| Aise To Na Dekho Ki | Suman Kalyanpur, Mohammed Rafi | F♯ Major | 5 | 2B | 103 BPM | ||
| Ni Sultana Re | Lata Mangeshkar, Mohammed Rafi, R. D. Burman | D Major | 3 | 10B | 88 BPM | ||
| Kai Din Se Mujhe | Hemlata, Shailendra Singh, Ravindra Jain | G Minor | 5 | 6A | 72 BPM | ||
| Mohabbat Inayat Karam Dekhte Hain | Anuradha Paudwal, Pankaj Udhas | F♯ Major | 7 | 2B | 93 BPM | ||
| Aaj Iski Hai To Kal Uski | Shankar Dasgupta, Kalyanji-Anandji | D♭ Minor | 2 | 12A | 75 BPM |