Alexandre Tansman, Ermanno Brignolo, Orchestra del Conservatorio di Alessandria, Paolo Ferrara's 'Prélude et interlude, Op. Posth.: II. Interlude' had a release date set for August 2, 2013. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Prélude et interlude, Op. Posth.: II. Interlude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 120 in the song's album "The Andres Segovia Archive (Complete Guitar Music Written for Andrés Segovia)". In this album, this song's track order is #53. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Prélude et interlude, Op. Posth.: II. Interlude is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Prélude et interlude, Op. Posth.: II. Interlude by Alexandre Tansman, Ermanno Brignolo, Orchestra del Conservatorio di Alessandria, Paolo Ferrara having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bagatelle, Op. 30 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 1 | 3B | 67 BPM | ||
| Vingt-Sixiéme Ordre - L'Epineuse | François Couperin, David Russell | A Minor | 1 | 8A | 75 BPM | ||
| Antiphona X Sumite psalmum jucundum con cithara: No. 2, Recitative | Henrik Ødegaard, Ole Martin Huser-Olsen | A♭ Major | 1 | 4B | 111 BPM | ||
| 25 Etudes, Op.60: No.13 | Matteo Carcassi, Paco Hallak | A Major | 2 | 11B | 84 BPM | ||
| Lute Suite No. 3 in A Minor, BWV 995: IV. Sarabande (Arr. for Guitar) | Robert Secrist | D Major | 1 | 10B | 117 BPM | ||
| Bardenklange, Op. 13: Lied ohne Worte (Song without Words) | Johann Kaspar Mertz, Adam Holzman | A Major | 0 | 11B | 86 BPM | ||
| Homenaje pour le Tombeau de Claude Debussy | Manuel de Falla, Andrés Madariaga | G Major | 2 | 9B | 100 BPM | ||
| Anonymous & Chilesotti: Da un Codice Lauten-Buch del Cinquecento: No. 64, Spagnoletta | Anonymous, María Luisa Anido | E Major | 0 | 12B | 107 BPM | ||
| Guitar Sonata in A Major, Op. 29, No. 2: IV. Rondo. Allegretto (arr. J. Bream for guitar) | Anton Diabelli, Park Kyuhee | A Major | 1 | 11B | 77 BPM | ||
| Albéniz: Suite española No. 1, Op. 47: I. Granada. Serenata | Isaac Albéniz, Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| Concertino for Oboe, Clarinet and Strings: IV. Elegie | Alexandre Tansman, Laurent Decker, Jean-Marc Fessard, Silesian Chamber Orchestra, Miroslaw Jacek Blaszczyk | A♭ Major | 0 | 4B | 60 BPM | ||
| Andante Siciliano | Jean-Frédéric Edelmann, Anders Ericson | F♯ Minor | 2 | 11A | 105 BPM | ||
| Castillos de España, Vol. 1: No. 1, Turégano | Federico Moreno Torroba, Eulogio Albalat | G Minor | 1 | 6A | 147 BPM | ||
| An die Entfernte | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Sanz: Instrucción de Música Sobre la Guitarra Española, Libro II: Canarios | Gaspar Sanz, Oscar Caceres | D Major | 1 | 10B | 146 BPM | ||
| Suite No. 3 in G Major (Orig. C Major), BWV 1009: IV. Sarabande | Michael Nicolella | G Major | 0 | 9B | 125 BPM | ||
| Suite del recuerdo: Zamba | Jose Luis Merlin, Jason Vieaux | E Minor | 1 | 9A | 84 BPM | ||
| Poulenc: Sarabande pour guitare, FP 179 | Francis Poulenc, Turibio Santos | A Minor | 0 | 8A | 92 BPM | ||
| When the White Lilacs Bloom Again (Arr. T. Ippo) | Franz Doelle, Tsuboi Ippo, Sachiko Miyashita | G Major | 4 | 9B | 150 BPM | ||
| Just Passing By | Billy Arcila | A Major | 1 | 11B | 145 BPM | ||
| If Love's A Sweet Passion | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| 12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu) | Akira Nakata, Shin-ichi Fukuda | A Major | 1 | 11B | 72 BPM | ||
| Sonatina: II. Andante | Federico Moreno Torroba, Franz Halász | A Major | 2 | 11B | 85 BPM | ||
| Piazzolla: Estaciones porteñas: II. Otoño porteño (Arr. Assad for Guitar) | Thibaut García | D Minor | 1 | 7A | 100 BPM | ||
| Beethoven: Sonatina for Mandolin and Piano in C Minor, WoO 43a (Transc. Santos for Two Guitars) | Ludwig van Beethoven, Turibio Santos, Oscar Caceres | A Major | 0 | 11B | 125 BPM |