Frances Black's 'No One Else' had a release date set for 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Frances Black's "How High the Moon" album is number 5 out of 12. Based on our statistics, No One Else's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of No One Else by Frances Black to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It Doesn't Matter Anymore (Imagine) | Eva Cassidy | F♯ Major | 2 | 2B | 155 BPM | ||
| On Grafton Street | Frances Black | D Major | 1 | 10B | 102 BPM | ||
| So Here's To You | Cathie Ryan | A Major | 1 | 11B | 93 BPM | ||
| Bishopstown | John Spillane | D Major | 1 | 10B | 117 BPM | ||
| Cailín Deas Crúite Na Mbó | Lumiere | F Major | 4 | 7B | 143 BPM | ||
| Since You're Gone | Frances Black | F Major | 1 | 7B | 179 BPM | ||
| You're Still the Only One | Frances Black | C Major | 2 | 8B | 101 BPM | ||
| Carrickfergus | Cathy Maguire | G Major | 2 | 9B | 105 BPM | ||
| Maideanan na h-Airidh | Capercaillie | E Major | 2 | 12B | 136 BPM | ||
| Tae a Flyin' Mous' | Ian McIntyre | D Major | 1 | 10B | 77 BPM | ||
| The Empty Room | The Murphys | C Major | 4 | 8B | 139 BPM | ||
| A Leaf from a Tree | Mary Coughlan | A Major | 2 | 11B | 133 BPM | ||
| Oh, The Starlings | Kieran Goss, Annie Kinsella | B♭ Major | 2 | 6B | 114 BPM | ||
| Talk to Me of Mendocino | Liam Clancy, Mary Black | G Major | 3 | 9B | 93 BPM | ||
| Roger The Miller | Karan Casey | B Major | 5 | 1B | 163 BPM | ||
| Forever Young | Eleanor Shanley | B Major | 3 | 1B | 131 BPM | ||
| After the Ball | Frances Black | D Major | 1 | 10B | 83 BPM | ||
| The Banks of the Sweet Primroses | Seamus Begley, Damien Dempsey | E Major | 2 | 12B | 132 BPM | ||
| How We Love | Beth Nielsen Chapman | F♯ Major | 2 | 2B | 71 BPM | ||
| Dublin Town in 1962 | Dermot O'Brien | A Major | 6 | 11B | 105 BPM | ||
| You're in My Love | Sinéad Lohan | F Major | 2 | 7B | 144 BPM | ||
| Partners in Rhyme | Isla Grant | A Major | 4 | 11B | 99 BPM | ||
| Ashokan Farewell | Aly Bain, Jay Ungar | D Major | 3 | 10B | 84 BPM | ||
| The Lough Tae Boat Song | Seamus Begley | E Major | 2 | 12B | 132 BPM | ||
| The Parting Glass | Tommy Fleming | B♭ Major | 1 | 6B | 78 BPM |