"Chance Meeting" by 内山 修作 had its release date on December 1, 2023. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Chance Meeting's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in バイオハザード ヴィレッジ オリジナル・サウンドトラック コンプリートエディション, so we believe that "Chance Meeting" is a single. Chance Meeting is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Chance Meeting by 内山 修作 is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Path | Shusaku Uchiyama | B Minor | 2 | 10A | 70 BPM | ||
| Catherine Foster | The Flight, Christian Henson | G Major | 0 | 9B | 81 BPM | ||
| I Thought We Were All Dead | Samuel Laflamme | F♯ Minor | 0 | 11A | 80 BPM | ||
| Safe Room | Cicada Sirens | B♭ Major | 0 | 6B | 125 BPM | ||
| Promenons-nous dans les bois | Shusaku Uchiyama | F Major | 6 | 7B | 122 BPM | ||
| After Daddy | Akira Yamaoka | G Major | 9 | 9B | 124 BPM | ||
| R.P.D. Hall | Masami Ueda | A♭ Major | 1 | 4B | 80 BPM | ||
| Warm Light | 1000 Eyes, Tom Schley | F Minor | 1 | 4A | 80 BPM | ||
| Conflagration | Zhenlan Kang | D Major | 2 | 10B | 71 BPM | ||
| Shadowed | Mark J Hadley | C Major | 0 | 8B | 135 BPM | ||
| Untitled 2 | Artur Kordas | F♯ Major | 2 | 2B | 106 BPM | ||
| Magdalene | Edgar Rothermich | F Minor | 0 | 4A | 69 BPM | ||
| Ends of the Earth (Beachfront) | Zack Bower | C Major | 2 | 8B | 94 BPM | ||
| Episode End | Takeshi Miura | F♯ Major | 0 | 2B | 70 BPM | ||
| Save | Capcom Sound Team | B♭ Major | 2 | 6B | 77 BPM | ||
| Double Back | Cicada Sirens | G Minor | 1 | 6A | 59 BPM | ||
| Flying Outdoors | Hiromitsu Maeba | A♭ Major | 3 | 4B | 123 BPM | ||
| Lost Grave | Akuma Kira | D♭ Minor | 4 | 12A | 123 BPM | ||
| Village of Shadows | Marcin Przybyiowicz | G Major | 2 | 9B | 78 BPM | ||
| The Jail | 内山 修作 | D♭ Major | 2 | 3B | 136 BPM | ||
| Santa Monica Theme | Rik Schaffer | G Major | 3 | 9B | 150 BPM | ||
| Do You Got a Smoke? | 大本望美 | A♭ Major | 0 | 4B | 89 BPM | ||
| Bridge to London | Olivier Deriviere | A♭ Minor | 3 | 1A | 130 BPM | ||
| River of Death | Akuma Kira | D♭ Minor | 4 | 12A | 123 BPM | ||
| Nemesis' Theme | Masami Ueda | D Major | 1 | 10B | 111 BPM |