"Manon: Act II - Andante tranquillissimo" by Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos had its release date on October 3, 2003. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jules Massenet, Marcelo Álvarez, Renée Fleming, The Orchestra and Chorus of the Opéra National de Paris's "Manon" album is number 17 out of 72. On top of that, United States appears to be the country where this track was created. Based on our statistics, Manon: Act II - Andante tranquillissimo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manon: Act II - Andante tranquillissimo by Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) | Lavinia Meijer | D♭ Major | 0 | 3B | 141 BPM | ||
| Valse triste, Op. 44 No. 1 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
| Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 64 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
| Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Johann Sebastian Bach, Pavel Gililov, Mischa Maisky | C Major | 1 | 8B | 89 BPM | ||
| The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Massenet / Arr. Bianco: Nuit d'Espagne | Jules Massenet, Marianne Crebassa, Thibaut García | B Minor | 1 | 10A | 126 BPM | ||
| Suite Bergamasque, L. 75: III. Clair de lune | Claude Debussy, Khatia Buniatishvili | D♭ Major | 0 | 3B | 71 BPM | ||
| Cello Concerto in C Major, G. 477: II. Largo | Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead | F Major | 0 | 7B | 70 BPM | ||
| Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
| Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
| Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
| The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
| La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon (Instrumental Version) | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 1 | 11B | 87 BPM | ||
| 3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 168 BPM | ||
| Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
| Salut d'amour, Op. 12 (Arr. Cullen for Cello and Orchestra) | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Elegie | Jules Massenet, Christian-Pierre La Marca | E Minor | 0 | 9A | 73 BPM |