- BPM
- 108
- Key
- B♭ Minor
- Camelot
- 3A
Stan and Mabel: 18. Tattered Dreams - Music-only version by Adelaide Symphony Orchestra, Benjamin Northey Song Details
"Stan and Mabel: 18. Tattered Dreams - Music-only version" by Adelaide Symphony Orchestra, Benjamin Northey had its release date on February 16, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 42 in the song's album "Stan and Mabel". In this album, this song's track order is #39. In terms of popularity, Stan and Mabel: 18. Tattered Dreams - Music-only version is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Stan and Mabel: 18. Tattered Dreams - Music-only version by Adelaide Symphony Orchestra, Benjamin Northey having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
Music Key
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -14.428 dB
- Acousticness
- 91%
- Danceability
- 26%
- Energy
- 27%
- Instrumentalness
- 89%
- Liveness
- 9%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air (Arr. Leopold Stokowski) | Johann Sebastian Bach, Leopold Stokowski, Adelaide Symphony Orchestra, David Stanhope | C Major | 2 | 8B | 78 BPM | |
 | Ave, Verum Corpus, K. 618 | Wolfgang Amadeus Mozart, Adelaide Symphony Orchestra, Alan Smith, Dawn Forster, Jennifer Newman, Ron Spigelman, Sherrilyn Handley | A Major | 0 | 11B | 137 BPM | |
 | Clog Dance (La Fille Mal Gardee) | The Regency House Orchestra | G Minor | 2 | 6A | 130 BPM | |
 | Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Adelaide Symphony Orchestra, Ron Spigelman | F Major | 0 | 7B | 86 BPM | |
 | Concertante Suite for tuba and four horns: IV. Alla marcia | Christer Danielsson, Nelson Green, Peter Whish-Wilson, Philip Hall, Philip Paine, Sarah Galbraith, David Stanhope, Adelaide Symphony Orchestra | E♭ Major | 1 | 5B | 129 BPM | |
 | Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | |
 | Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 88 BPM | |
 | Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Minor | 0 | 7A | 86 BPM | |
 | Ladies in Lavender | Nigel Hess, Sergeant Neslihan Jordan, Cpl Neslihan Jordan, Central Band Of The Royal Air Force | D Major | 1 | 10B | 62 BPM | |
 | A Moorside Suite: II. Nocturne (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | A Minor | 0 | 8A | 57 BPM | |
 | What Do You Do With An Idea?: Protecting The Idea | Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson | F Major | 2 | 7B | 124 BPM | |
 | Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | |
| The Mission: Gabriel's Oboe | Ron Spigelman, Adelaide Symphony Orchestra | D Major | 1 | 10B | 80 BPM | |
 | Orfeo ed Euridice, Wq. 30, Act III: "Che farò senza Euridice?" | Christoph Willibald Gluck, Sally-Anne Russell, Nicholas Milton, Adelaide Symphony Orchestra | E♭ Major | 6 | 5B | 97 BPM | |
 | The Tales of Hoffmann: Barcarolle | Jacques Offenbach, Harry Rabinowitz | F Minor | 1 | 4A | 116 BPM | |
 | St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | |
 | Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 66 BPM | |
 | Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Julian Lloyd Webber | F Major | 1 | 7B | 86 BPM | |
 | A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM | |
 | The Comedians: Galop | Adelaide Symphony Orchestra, Timothy Sexton | F Major | 5 | 7B | 81 BPM | |
 | Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | C Major | 1 | 8B | 174 BPM | |
| The Big Parade: 12. The Rookies | Adelaide Symphony Orchestra, Timothy Sexton | C Major | 3 | 8B | 117 BPM | |
 | Celtic Concerto: 3. Solstice | Catrin Finch, Sinfonia Cymru, John Rutter | B♭ Minor | 2 | 3A | 140 BPM | |
 | The Watermill | Ronald Binge, New London Orchestra, Ruth Scott, Ronald Corp | B♭ Major | 1 | 6B | 71 BPM | |
 | The Carnival of the Animals: 8. Characters With Long Ears | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records