Holberg Suite (for string orchestra), Op. 40; V Rigaudon by Edvard Grieg, Jan Bjøranger, 1B1 Song Details

Edvard Grieg, Jan Bjøranger, 1B1's 'Holberg Suite (for string orchestra), Op. 40; V Rigaudon' had a release date set for August 15, 2014. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Edvard Grieg, Various Artists's "Holberg Variations" album is number 5 out of 15. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Holberg Suite (for string orchestra), Op. 40; V Rigaudon's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Holberg Suite (for string orchestra), Op. 40; V Rigaudon by Edvard Grieg, Jan Bjøranger, 1B1 to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 25%
Loudness: -24.361 dB
Acousticness: 97%
Danceability: 36%
Energy: 10%
Instrumentalness: 93%
Liveness: 20%
Loudness: 59%
Speechiness: 4%
Valence: 27%

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