Concerto grosso No. 3 in C Minor, Op. 6: I. Largo by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo Song Details

"Concerto grosso No. 3 in C Minor, Op. 6: I. Largo" by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo had its release date on October 14, 2013. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Concerto grosso No. 3 in C Minor, Op. 6: I. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 70 in Corelli: The Complete Concerti Grossi by Arcangelo Corelli, Gli Incogniti, Amandine Beyer. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Concerto grosso No. 3 in C Minor, Op. 6: I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Concerto grosso No. 3 in C Minor, Op. 6: I. Largo by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 8%
Loudness: -14.828 dB
Acousticness: 92%
Danceability: 28%
Energy: 8%
Instrumentalness: 54%
Liveness: 31%
Loudness: 75%
Speechiness: 4%
Valence: 16%

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