String Quartet in A Major, Hob.III:7, (Op.2 No.1): 3. Adagio by Franz Joseph Haydn, The Angeles String Quartet Song Details

Franz Joseph Haydn, The Angeles String Quartet's ' "String Quartet in A Major, Hob.III:7, (Op.2 No.1): 3. Adagio" was released on its scheduled release date, January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, The Angeles String Quartet's "Haydn: Complete String Quartets" album is number 13 out of 280. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, String Quartet in A Major, Hob.III:7, (Op.2 No.1): 3. Adagio is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

We consider the tempo marking of String Quartet in A Major, Hob.III:7, (Op.2 No.1): 3. Adagio by Franz Joseph Haydn, The Angeles String Quartet to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Music Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -20.378 dB
Acousticness: 96%
Danceability: 52%
Energy: 12%
Instrumentalness: 61%
Liveness: 11%
Loudness: 66%
Speechiness: 4%
Valence: 67%

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