On June 9, 1995, the song "Hara Hara Hara" was released by Parupalli Ranganath. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Srisaila Mallikarjuna Bhajanalu". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Hara Hara Hara is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Hara Hara Hara by Parupalli Ranganath having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enneni Janmala | R. P. Patnaik, Chorus, Vigna Vinayaka, Shashibala | A Major | 5 | 11B | 102 BPM | ||
| Surya Suktam | Prasath Sai, Prakash Kumar | B♭ Major | 5 | 6B | 87 BPM | ||
| Vedam Bevvani | S.V. Anand Bhattar | F Major | 7 | 7B | 148 BPM | ||
| Kovila Palukadu Kommavi Lathala | Parupalli Sri Ranganath, S. P. Sailaja | C Minor | 6 | 5A | 171 BPM | ||
| Lalitha Pancharatnam | Priya Sisters | E Major | 4 | 12B | 103 BPM | ||
| Varalakshmi Deviyae | Bombay Saradha | A Minor | 7 | 8A | 142 BPM | ||
| Metla Paata | Parupalli Sri Ranganath | A Minor | 7 | 8A | 82 BPM | ||
| Unnaavaa Asalunnaavaa | Ghantasala | G Major | 6 | 9B | 153 BPM | ||
| O! Ganapayya | Nithya Santhoshini | G Major | 5 | 9B | 159 BPM | ||
| Chandrakantha | S.P. Balu | F♯ Major | 4 | 2B | 144 BPM | ||
| Sri Gananadham | Sivala Sisters | C Major | 2 | 8B | 143 BPM | ||
| Anjani Suthudu | Shashikala | D♭ Major | 7 | 3B | 147 BPM | ||
| Manideepa Varnana | Sriramachandra Murthy, Lasya Mayuka, Thadepalli Srivani | F Minor | 7 | 4A | 140 BPM | ||
| Prabho Sri Gananatha | Mano | F♯ Major | 6 | 2B | 115 BPM | ||
| Eeshwaram Vandhe | Haripriya, Divya Malika | D♭ Major | 6 | 3B | 110 BPM | ||
| Varasiddi Vinayaka Kalyanam | Vijayamani sarma, B.Ramana | C Minor | 4 | 5A | 100 BPM | ||
| Sive Siva Sankara | V. Ramakrishna | E Minor | 6 | 9A | 94 BPM | ||
| PALLE PALLELLONA VELASINA | JADALA RAMESH | F Minor | 7 | 4A | 165 BPM | ||
| Jaya Jaya Sri Hanuma | Mano | E Major | 5 | 12B | 97 BPM | ||
| Om Sabarigirivasa | Murali | G Major | 7 | 9B | 157 BPM | ||
| Kalaya Vaishnava Maayayaa | Nihal Konduri | A Minor | 5 | 8A | 85 BPM | ||
| Nee Jola Paadali | Parupalli Ranganath, Ramana | B♭ Minor | 5 | 3A | 138 BPM | ||
| Ittimudduladi | G Balakrishna Prasad | D Minor | 5 | 7A | 142 BPM | ||
| Astalakshmi Stotra | Prasath Sai, Vinod Kumar Sharma | C Minor | 6 | 5A | 97 BPM | ||
| Saranam Saranam Maruthi | Mano | E Major | 5 | 12B | 97 BPM |