"Desert Run - Midnight Run/Soundtrack Version" by Danny Elfman had its release date on January 1, 1988. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Danny Elfman's "Midnight Run" album is number 17 out of 24. On top of that, United States appears to be the country where this track was created. Based on our statistics, Desert Run - Midnight Run/Soundtrack Version's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Desert Run - Midnight Run/Soundtrack Version by Danny Elfman to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Last Giant Piece | Michael Kamen | F Major | 1 | 7B | 105 BPM | ||
| Bates Motel | Chris Bacon | D Minor | 2 | 7A | 104 BPM | ||
| Welcome to Scrubbit's | Joby Talbot | F Major | 4 | 7B | 180 BPM | ||
| Streets of Paris | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 65 BPM | ||
| Introducing Flint | Mark Mothersbaugh | E Minor | 2 | 9A | 92 BPM | ||
| Hello Brother | David Hirschfelder | E Minor | 1 | 9A | 87 BPM | ||
| Closest Thing to a Friend | Mark Isham, Michael D. Simon | F Major | 3 | 7B | 82 BPM | ||
| Royal Blood | David Fleming | G Major | 3 | 9B | 100 BPM | ||
| Overture | Andrew Lloyd Webber | B Major | 4 | 1B | 113 BPM | ||
| The Fall - The Attack | Krishna Levy | A Minor | 1 | 8A | 133 BPM | ||
| Meet Ethel Cripps | David Buckley | B♭ Minor | 0 | 3A | 142 BPM | ||
| Prince of Spooks | Frankelda's Book of Spooks, Kevin Smithers | A Minor | 6 | 8A | 110 BPM | ||
| Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM | ||
| Blanc's Tale, Pt. II | Nathan Johnson | G Major | 2 | 9B | 101 BPM | ||
| To Beat Lestat You Have to Become Lestat | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| The Unspeakable Has Happened | Dario Marianelli | G Major | 1 | 9B | 90 BPM | ||
| Squirrel Rescue | Mike Higham, Matthew Margeson | F Minor | 2 | 4A | 60 BPM | ||
| Lost | Thomas Newman | E Major | 2 | 12B | 94 BPM | ||
| The Witch's Threat | Rob Lane | D Minor | 1 | 7A | 147 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Map And Willie | Dave Grusin | F♯ Minor | 1 | 11A | 172 BPM | ||
| Paint It Black | Wednesday Addams | F Minor | 3 | 4A | 130 BPM | ||
| Tigers Going For Baby | David Newman | G Major | 5 | 9B | 130 BPM | ||
| Ecstasy of Gold | Ennio Morricone, Gustavo Santaolalla | A Minor | 7 | 8A | 96 BPM | ||
| The Dominoes Fall | Dario Marianelli | A Minor | 4 | 8A | 120 BPM |