Juliana D Passos, ORIXÁS's ' "Senhor das Matas" was released on its scheduled release date, April 24, 2017. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 18 in Atabaque & Voz by Juliana D Passos, ORIXÁS. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Senhor das Matas is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Senhor das Matas by Juliana D Passos, ORIXÁS is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pacto de Rosa | Cria de Ogum | A♭ Major | 3 | 4B | 104 BPM | ||
| Saudação a Xango | Filhos de Iemanja | D♭ Minor | 4 | 12A | 111 BPM | ||
| Saudação Aos Pretos Velhos III | Dudu Tucci | F Minor | 8 | 4A | 100 BPM | ||
| Ponto pombagira dama da noite não é de ninguém | luigi de oxala | E Major | 4 | 12B | 58 BPM | ||
| Jurema / Vestimenta de caboclo / Eu só vim aqui porque fui chamado | ORIXÁS, D-Hit Axé | C Major | 5 | 8B | 128 BPM | ||
| Eu Vi Brilhar | Aldeia de Caboclos, ORIXÁS | A♭ Major | 3 | 4B | 138 BPM | ||
| Saudação a Ewa | Pai Cido de Oxum | E♭ Major | 7 | 5B | 166 BPM | ||
| Oxalá nas Oliveiras | Juliana D Passos, ORIXÁS | C Major | 1 | 8B | 103 BPM | ||
| Zé Baiano | Ponto de jurema | B Minor | 6 | 10A | 169 BPM | ||
| Caboclo Guerreiro | Redandá | B Major | 6 | 1B | 75 BPM | ||
| O Brado de Jurema | Juliana D Passos, ORIXÁS | E Minor | 4 | 9A | 98 BPM | ||
| Madrugada Ê | Ogã Paulo Almeida, Wanderley Gomes, ORIXÁS | A♭ Major | 3 | 4B | 71 BPM | ||
| Iansã | Umbanda Sagrada | E Minor | 5 | 9A | 110 BPM | ||
| Maria Mulambo da Estrada - Quando Meu Caldeirão Ferver | Purezatabaque | D♭ Minor | 6 | 12A | 105 BPM | ||
| A Figueira Apareceu | Tião Casemiro, ORIXÁS | E Major | 6 | 12B | 118 BPM | ||
| Jurema | Conjunto Folclórico Ibyara | B♭ Minor | 7 | 3A | 111 BPM | ||
| Senhor das Matas | Juliana D Passos, ORIXÁS | C Major | 1 | 8B | 103 BPM | ||
| Ponto Maria Padilha do Cemitério - Magia Boa em Cova Funda | Luan Pureza, ORIXÁS | F♯ Major | 4 | 2B | 125 BPM | ||
| Pomba Gira | Coral Filhos de Oxóssi | F Minor | 3 | 4A | 81 BPM | ||
| Aninha do Angeló | Léo Batucaria, Wanderley Gomes, ORIXÁS | G Minor | 1 | 6A | 90 BPM | ||
| Dizem que Ele Matou / Pode me Chamar de Covarde / Malandragem Boa, Malandragem Meia / Sentimento Verdadeiro | Joia do Couro, ORIXÁS | F♯ Major | 7 | 2B | 106 BPM | ||
| Gira de Iansã | Filhas de Iemanja | F♯ Major | 4 | 2B | 127 BPM | ||
| Congo de Sassaravá | Nelson Mateus e Filhas de Iemanjá | B♭ Major | 9 | 6B | 124 BPM | ||
| Para ser rainha | Menina Mojubá, Wanderley Gomes, ORIXÁS | F♯ Major | 4 | 2B | 113 BPM | ||
| Segura a Minha Porteira | Marcelo Varanda | F Major | 8 | 7B | 169 BPM |