On December 1, 2011, the song "Oscurece las Montañas" was released by Sete Lágrimas. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 17 in En Tus Brazos una Noche by Sete Lágrimas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Oscurece las Montañas's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Oscurece las Montañas by Sete Lágrimas is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ala villa voẏ | Anonymous (16th. c.), Sete Lágrimas | D♭ Minor | 0 | 12A | 106 BPM | ||
| Fado Menor do Porto de 7 Tempos dedicado ao Porto | Júlio Resende | G Minor | 3 | 6A | 99 BPM | ||
| Zenibzoguish | Metin Kodzoko | F Minor | 2 | 4A | 101 BPM | ||
| Ay Que Viviendo no Byvo | Sete Lágrimas | A♭ Minor | 2 | 1A | 135 BPM | ||
| The Master Masons Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | F Minor | 3 | 4A | 141 BPM | ||
| Beata viscera | Jan Garbarek, Pérotin, The Hilliard Ensemble | G Major | 0 | 9B | 138 BPM | ||
| Minden Allat Orul Az Tavasznak | Traditional - Hungarian, The New World Renaissance Band | F Minor | 1 | 4A | 131 BPM | ||
| Es fügt sich: I, II, III | Oswald von Wolkenstein, Andreas Scholl, Shields of Harmony, Crawford Young | G Minor | 0 | 6A | 66 BPM | ||
| Lachrimæ antiquæ Novæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland) | Sokratis Sinopoulos, L'Achéron, François Joubert-Caillet, John Dowland | D♭ Minor | 1 | 12A | 101 BPM | ||
| Concerti ecclesiastici: No. 50, Sonata à 4 | Giovanni Paolo Cima, Ecco la musica | D♭ Major | 2 | 3B | 87 BPM | ||
| Weinen, Klagen, Sorgen, Zagen | Paul Lay, Joël Suhubiette, Chœur de chambre Les Eléments, Donald Kontomanou, Clemens Van Der Feen | E Major | 0 | 12B | 141 BPM | ||
| Toccata del Signor Morhiny | Paolo Pandolfo, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D♭ Minor | 2 | 12A | 91 BPM | ||
| No tienen vado mis males | Juan del Encina, Sete Lágrimas | D♭ Minor | 0 | 12A | 106 BPM | ||
| He was to me a Helper and a Protector | Divna Ljubojevic | G Minor | 1 | 6A | 120 BPM | ||
| Dos Estrellas Le Siguen | Sete Lágrimas | E Minor | 0 | 9A | 168 BPM | ||
| La Gamba in Basso e Soprano | Vincenzo Ruffo, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
| Les tres doulx ieux du viaire ma dame | Gilles Binchois, Graindelavoix | D Minor | 1 | 7A | 118 BPM | ||
| Prologue: L’Orfeo, Ritornello (The Ritual of Initiation) | The Wandering Bard, Claudio Monteverdi | G Major | 0 | 9B | 81 BPM | ||
| Ave Maria, CG 89a (After Bach's BWV 846) [Arr. C. Surrick for Lute & Viola da gamba] | Charles Gounod, Ronn McFarlane, Carolyn Surrick | B Major | 1 | 1B | 110 BPM | ||
| Couperin, L: Pavanne, G. 120 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 0 | 5B | 67 BPM | ||
| Passepieds de Bretaigne | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | A Minor | 2 | 8A | 128 BPM | ||
| Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | ||
| Lagrimas de saudade | Filipe Faria, Sérgio Peixoto, Sete Lágrimas | E Minor | 2 | 9A | 82 BPM | ||
| Un dolce tormento | Claudio Monteverdi, Marco Beasley, Guido Morini, Accordone | C Major | 8 | 8B | 127 BPM | ||
| Qué Bien Siente Galatea | Sete Lágrimas | A♭ Minor | 1 | 1A | 182 BPM |