George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'Behold, I Tell You A Mystery - Bass' had a release date set for January 1, 1987. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 24 out of 54. On top of that, United States appears to be the country where this track was created. Behold, I Tell You A Mystery - Bass is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Behold, I Tell You A Mystery - Bass by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Know That My Redeemer Liveth | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Sonya Yoncheva | D Minor | 0 | 7A | 134 BPM | ||
| Weihnachts-Oratorium, BWV 248, Pt. 1: No. 2, Recit. Es begab sich aber zu der Zeit (Evangelist) | Johann Sebastian Bach, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | F Minor | 0 | 4A | 94 BPM | ||
| Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 31: "Schließe, mein Herze, dies selige Wunder" | Johann Sebastian Bach, Christa Ludwig, Münchener Bach-Orchester, Karl Richter | B Minor | 1 | 10A | 93 BPM | ||
| O Come, All Ye faithful | Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 95 BPM | ||
| Mozart: Mass No. 15 in C Major, K. 317 "Coronation Mass": V. Benedictus | Wolfgang Amadeus Mozart, Peter Neumann, Christoph Prégardien, Franz-Josef Selig, Kölner Kammerchor, Patrizia Kwella, Ulla Groenewold, Collegium Cartusianum | E♭ Major | 0 | 5B | 91 BPM | ||
| Oratorio de Noël, Op. 12: Air. Expectants expectavi Dominum (Soprano) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | E Major | 1 | 12B | 115 BPM | ||
| Worthy Is the Lamb That Was Slain | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | C Major | 2 | 8B | 94 BPM | ||
| Shepherds, in the Field Abiding (Arr. D. Willcocks) | Edward Shippen Barnes, The Cambridge Singers, John Rutter | A Major | 1 | 11B | 111 BPM | ||
| Messiah / Part 2: "Why do the nations...Let us break asunder" | George Frideric Handel, Gwynne Howell, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 3 | 9B | 117 BPM | ||
| Semele, HWV 58 / Act 1: Why Dost Thou Thus Untimely Grieve? | George Frideric Handel, Michael Chance, Marilyn Horne, Samuel Ramey, Kathleen Battle, English Chamber Orchestra, John Nelson | E Minor | 2 | 9A | 64 BPM | ||
| Wachet auf, ruft uns die Stimme BWV 140: Duet: Wenn kömmst du, mein Heil? | Mark Radcliffe, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Ian Bostridge, Academy of Ancient Music | B Minor | 1 | 10A | 92 BPM | ||
| Britten: Jubilate Deo in C | Benjamin Britten, James Lancelot, Choir of King's College, Cambridge, Philip Ledger | C Major | 1 | 8B | 78 BPM | ||
| Away in a Manger | William J. Kirkpatrick, Choir of King's College, Cambridge, David Briggs, Stephen Cleobury | G Major | 1 | 9B | 81 BPM | ||
| God is with us: A Christmas Proclamation | John Tavener, Elora Festival Singers, Noel Edison | C Major | 1 | 8B | 178 BPM | ||
| Missa Brevis No. 7 In B Major St. Joannis De Deo - Credo | Joseph Haydn, Vienna Chamber Orchestra, Orchester der Wiener Staatsoper, Hans Gillesberger | F♯ Major | 1 | 2B | 104 BPM | ||
| Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM | ||
| Magnificat, BWV 243a: Magnificat, BWV 243a: XI. Deposuit potentes | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | F♯ Minor | 2 | 11A | 102 BPM | ||
| He Trusted In God - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | C Minor | 2 | 5A | 123 BPM | ||
| Mathias: A Babe Is Born, Op. 55 | William Mathias, Choir of King's College, Cambridge, Thomas Trotter, Philip Ledger | C Major | 1 | 8B | 96 BPM | ||
| God Rest Ye Merry Gentlemen | Leontyne Price | G Major | 2 | 9B | 93 BPM | ||
| Traditional: Joy to the World! | Choir of King's College, Cambridge, Peter Stevens | D Major | 1 | 10B | 86 BPM | ||
| Silent Night, H. 145 (Arr. for Unaccompanied Choir) | Franz Xaver Gruber, The Cambridge Singers, John Rutter | C Major | 1 | 8B | 104 BPM | ||
| Handel: Messiah, HWV 56, Pt. 3, Scene 3: Aria. "If God Be for Us" | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Ailish Tynan, Academy of Ancient Music | F♯ Minor | 1 | 11A | 109 BPM | ||
| Messiah, HWV 56, Pt. 1: No. 19, Recit. Then Shall the Eyes of the Blind Be Opened – No. 20, Duet. He Shall Feed His Flock Like a Shepherd (Alto, Soprano) | George Frideric Handel, Kiri Te Kanawa, Anne Gjevang, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Major | 1 | 6B | 172 BPM | ||
| Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No. 19 Aria: "Schlafe, mein Liebster, geniesse der Ruh" | Johann Sebastian Bach, Anne Sofie von Otter, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 0 | 2B | 119 BPM |