- BPM
- 93
- Key
- D♭ Minor
- Camelot
- 12A
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph by François Couperin, William Christie, Les Arts Florissants, Sophie Daneman Song Details
"Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph" by François Couperin, William Christie, Les Arts Florissants, Sophie Daneman had its release date on January 1, 1997. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 22 in Couperin : Leçons de Ténèbres by François Couperin, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph by François Couperin, William Christie, Les Arts Florissants, Sophie Daneman is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Music Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 11%
- Loudness
- -17.504 dB
- Acousticness
- 87%
- Danceability
- 17%
- Energy
- 16%
- Instrumentalness
- 90%
- Liveness
- 8%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Omphale, Acte I: Air. Calme heureux, agréable paix... | Jean-Baptiste Cardonne, Gyorgy Vashegyi, Orfeo Orchestra, Reinoud Van Mechelen | A♭ Minor | 1 | 1A | 81 BPM | |
 | Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice) | Antonio Sartorio, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | B Major | 1 | 1B | 84 BPM | |
 | Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM | |
 | Atys, LWV 53, Prologue: Récit. La saison des frimas peut-elle nous offrir | Jean-Baptiste Lully, Virginie Thomas, David Witczak, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | A♭ Minor | 1 | 1A | 81 BPM | |
 | Purcell : Dido & Aeneas : Act I "See our royal guest appears" [Belinda, Aeneas] "Cupid only throws the dart" [Chorus] | Henry Purcell, William Christie, Les Arts Florissants | E♭ Minor | 1 | 2A | 143 BPM | |
 | Voi Chascoltate | Sigismondo D'India, Musica Sequenza, BURAK, Diana Ramirez | F♯ Major | 2 | 2B | 86 BPM | |
 | Ave dulcissima Maria | Bartolomeo Barbarino, Gerlinde Sämann, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | |
 | Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632 | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | G Major | 1 | 9B | 87 BPM | |
 | Manna: Laudate pueri: I. Laudate pueri, Dominum | Gennaro Manna, Jakub Józef Orliński, Il pomo d'oro Choir, Francesco Corti, Il Pomo D'oro | E Major | 3 | 12B | 129 BPM | |
 | Stabat Mater: 9. Sancta Mater | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Major | 1 | 11B | 70 BPM | |
 | Pièces à deux violes du Premier Livre, suite en ré mineur: I. Prélude à deux violes (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 2 | 12A | 85 BPM | |
 | Messe de requiem: I. Requiem | André Campra, Philippe Herreweghe, Orchestre de La Chapelle Royale, Chœur de la Chapelle Royale, La Chapelle Royale | E♭ Major | 2 | 5B | 82 BPM | |
| Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "With Drooping Wings" (Chorus) | Henry Purcell, William Christie, Les Arts Florissants | F♯ Minor | 0 | 11A | 136 BPM | |
 | Les Goûts-réünis - Concert No. 11 in C minor: 4. Courante I | François Couperin, Les Talens Lyriques, Christophe Rousset | G Major | 2 | 9B | 61 BPM | |
 | L'Orfeo, SV 318 / Act I: "Rosa del ciel" - "Io non dirò qual sia" - "Lasciate i monti" - "Vieni, Imeneo" | Claudio Monteverdi, Anthony Rolfe Johnson, Julianne Baird, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | E Minor | 1 | 9A | 177 BPM | |
 | Vestro Principi divino, in F major, RV633: 3. Quid loqueris ad cor (Presto) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | B Minor | 0 | 10A | 111 BPM | |
 | Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | |
 | Missa Dolorosa: V. Benedictus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | |
 | Dido and Aeneas, Z. 626, Act I: No. 5, Recit. Whence Could So Much Virtue Spring? | Henry Purcell, Catherine Bott, Emma Kirkby, Julianne Baird, Academy of Ancient Music, Christopher Hogwood | B Minor | 0 | 10A | 170 BPM | |
 | Miserere in C Minor (Version for Mixed Choir): V. Quoniam si voluisses | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | D Minor | 1 | 7A | 77 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act I: Grief Increases by Concealing (Belinda, Dido) | Henry Purcell, Maxim Emelyanychev, Fatma Said, Il Pomo D'oro, Joyce DiDonato | F♯ Minor | 0 | 11A | 172 BPM | |
 | Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | |
| Stabat Mater: 8. Fac ut ardeat | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 3 | 11A | 83 BPM | |
 | Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | |
 | Missa omnium sanctorum, ZWV 21: Kyrie. Christe eleison | Jan Dismas Zelenka, Prague Baroque Soloists, Adam Viktora, Jan Kobow, Kai Wessel | E♭ Minor | 4 | 2A | 105 BPM |
- ISRC
- FRZ209626802
- Label
- L-M Records/RCA Records