Mark Martin's ' "Golden Handcuffs" was released on its scheduled release date, January 1, 2005. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 10 in A Cue Stick Guitar by Mark Martin. The popularity of Golden Handcuffs is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Golden Handcuffs by Mark Martin is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Illtauga | David García Díaz, RashDash | F Minor | 3 | 4A | 74 BPM | ||
| Isis Unveiled | ...And You Will Know Us by the Trail of Dead | D Major | 8 | 10B | 67 BPM | ||
| Drive Me | No One Is Innocent | D Major | 8 | 10B | 80 BPM | ||
| Controlled | Outburst | A Minor | 10 | 8A | 103 BPM | ||
| Mystery | John Carpenter | D Minor | 5 | 7A | 86 BPM | ||
| Confrontation | Masatoshi Yanagi | A Major | 2 | 11B | 70 BPM | ||
| Elegia | Horror Vacui | G Major | 6 | 9B | 71 BPM | ||
| Burial Rites | Wolfenstein, Joe Leising | D♭ Major | 5 | 3B | 102 BPM | ||
| Slowly, Through a Vector | Say Anything | A Major | 5 | 11B | 83 BPM | ||
| A Deathpact Most Imminent | Manes | B Minor | 6 | 10A | 110 BPM | ||
| Verloren | Lacrimosa | D Minor | 10 | 7A | 143 BPM | ||
| The Earth Is Weeping | Blackbraid | B♭ Major | 1 | 6B | 95 BPM | ||
| Coppertone and Corona | Mark Martin | G Major | 5 | 9B | 135 BPM | ||
| Doomsday Clock | Conquering Dystopia | D♭ Minor | 2 | 12A | 101 BPM | ||
| Reprise 1 | Enter Shikari | A Major | 6 | 11B | 132 BPM | ||
| Pure | London After Midnight, Sean Brennan | C Major | 5 | 8B | 90 BPM | ||
| Зямля Пад Чорнымі Крыламі (The Land Under The Black Wings) | Dymna Lotva | E Minor | 9 | 9A | 165 BPM | ||
| Der Wolfsmantel | ROME | A♭ Major | 6 | 4B | 75 BPM | ||
| i wish i could eternally be somewhere sunny. | monotypes. | G Major | 8 | 9B | 165 BPM | ||
| Suicide | Decalius | D Major | 3 | 10B | 130 BPM | ||
| The Day | Moin | C Major | 3 | 8B | 128 BPM | ||
| Midwestern | leverfall | C Major | 7 | 8B | 110 BPM | ||
| Revenge (Reprised) | Mark Martin | A♭ Major | 10 | 4B | 140 BPM | ||
| Demo7 | Blade and Bath | D♭ Major | 5 | 3B | 102 BPM | ||
| The Last Song | Edge Of Sanity | E♭ Major | 4 | 5B | 76 BPM |