"Wuthering Heights: "I have dreamt"" by Bernard Herrmann, Renée Fleming, Metropolitan Opera Orchestra, James Levine had its release date on January 1, 1998. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Wuthering Heights: "I have dreamt"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Renée Fleming - I Want Magic! - American Opera Arias". In this album, this song's track order is #1. Wuthering Heights: "I have dreamt" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wuthering Heights: "I have dreamt" by Bernard Herrmann, Renée Fleming, Metropolitan Opera Orchestra, James Levine having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grey Clouds | Dominic Harlan | B♭ Major | 0 | 6B | 72 BPM | ||
| Medley (Ilsa Returns / As Time Goes By / Bitterness / Laszlo / Agitato No. 1 / Ilsa / La Marseillaise) | The Warner Bros. Studio Orchestra | G Minor | 2 | 6A | 90 BPM | ||
| Don't Explain | Chet Baker | B♭ Major | 1 | 6B | 171 BPM | ||
| La donna malese | Riz Ortolani | F Major | 1 | 7B | 67 BPM | ||
| Greed | Howard Shore | B Minor | 0 | 10A | 84 BPM | ||
| L'enfer générique | Bruno Alexiu | F Minor | 0 | 4A | 112 BPM | ||
| Quasi un sogno | Sandro Brugnolini | F Major | 2 | 7B | 69 BPM | ||
| Scenery | Ryo Fukui | D Minor | 1 | 7A | 67 BPM | ||
| Valiant & Valiant | Alan Silvestri | G Major | 1 | 9B | 118 BPM | ||
| Scotty Tails Madeleine (Including Madeleine's First Appearance / Madeleine's Car / The Flower Shop / The Alleyway / The Mission / Mission Organ) | Bernard Herrmann | D Minor | 1 | 7A | 70 BPM | ||
| King Of Hearts Le Repos | Georges Delerue | A Major | 2 | 11B | 87 BPM | ||
| Storm Rider - The Grand Duel: Parte Prima | Luis Bacalov | C Major | 1 | 8B | 84 BPM | ||
| Shore: Finale | Howard Shore, Münchner Symphoniker | D Minor | 2 | 7A | 140 BPM | ||
| La Rochelle | Philippe Sarde | A Minor | 3 | 8A | 158 BPM | ||
| Funeral of Queen Mary (Main Title from "A Clockwork Orange") | Hollywood Symphony Orchestra | C Minor | 2 | 5A | 137 BPM | ||
| Betsy In a White Dress | Bernard Herrmann, Dave Blume | C Minor | 4 | 5A | 94 BPM | ||
| Prelude | Bernard Herrmann | C Major | 0 | 8B | 83 BPM | ||
| Taxi Driver | Bernard Herrmann | C Major | 3 | 8B | 72 BPM | ||
| Marion And Sam | Bernard Herrmann | C Major | 0 | 8B | 50 BPM | ||
| Sleepless | Roque Baños | D♭ Minor | 0 | 12A | 94 BPM | ||
| MISHIMA/Opening | Philip Glass, Kronos Quartet, Michael Riesman | B♭ Major | 1 | 6B | 111 BPM | ||
| Nardis | Bill Evans Trio | C Major | 1 | 8B | 80 BPM | ||
| Blade Runner Blues | Vangelis | F Minor | 7 | 4A | 123 BPM | ||
| Slow pour vibra et trombone - From "Le doulos" | Paul Misraki | C Minor | 1 | 5A | 80 BPM | ||
| The Detectives (Interlude) | Alan Tew | F Major | 2 | 7B | 122 BPM |