"Holding On" by René Osmanczyk had its release date on July 26, 2017. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 51 in the song's album "Sad Filmmusic". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Switzerland. Holding On is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Holding On by René Osmanczyk having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Exoneration | René Osmanczyk, Ros Stephen | D Major | 9 | 10B | 160 BPM | ||
| Honey Youre My Soulmate | Valhalla Orquestra, Bubba Smidth | A Major | 3 | 11B | 85 BPM | ||
| Venus | Edmund Percival Montfort | C Major | 8 | 8B | 105 BPM | ||
| Time Lapse | Juan Manuel Cortés | A Minor | 1 | 8A | 114 BPM | ||
| To a Future with an End | Rob Simonsen | E♭ Major | 4 | 5B | 139 BPM | ||
| Caminos de Piedra y Musgo | Música para leer fantasia | C Minor | 0 | 5A | 126 BPM | ||
| Whisper of a Waterfall | Tofiq Mikayilzade, Ted Boyarskiy | F♯ Major | 3 | 2B | 177 BPM | ||
| Beyond Paradise | Joachim Tospann, Intervox Music | D Minor | 3 | 7A | 70 BPM | ||
| The Streets of Whiterun (From "Skyrim") | Fort Oblivion | E Major | 1 | 12B | 139 BPM | ||
| Rainlit Roads | EBP Zone | E♭ Minor | 3 | 2A | 138 BPM | ||
| Bumblebee | René Osmanczyk | A Major | 1 | 11B | 74 BPM | ||
| Inner Calm | Cello Moods | B♭ Major | 1 | 6B | 35 BPM | ||
| Farewell | Roque Baños | F Major | 0 | 7B | 79 BPM | ||
| Mas Madera | Los Elocuentes | A Minor | 2 | 8A | 138 BPM | ||
| Competidores Reales | Verdes Atardeceres | A Major | 2 | 11B | 77 BPM | ||
| Morning | Spa L'Occitane, Anthony Bui | C Major | 2 | 8B | 110 BPM | ||
| Analytica Two | ZEN | B♭ Major | 1 | 6B | 138 BPM | ||
| The Slipstreams of Time (Bonus Track) | Jack Dalton | D Major | 0 | 10B | 130 BPM | ||
| Every Cub Counts | David Schweitzer | E Minor | 2 | 9A | 108 BPM | ||
| Lucy's | Teressa Esther, Lennox | B Minor | 3 | 10A | 90 BPM | ||
| Avengers: Doomsday Teaser 1 Theme | HamiitKh Music | B♭ Major | 1 | 6B | 138 BPM | ||
| I'm Done | René Osmanczyk | A Major | 1 | 11B | 74 BPM | ||
| Blue Giant | Alan Williams | A♭ Major | 3 | 4B | 144 BPM | ||
| Decisiones Trascendentales | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | D♭ Major | 3 | 3B | 95 BPM | ||
| Sakinlik ve Işık 1 | Sade Ruh | G Minor | 2 | 6A | 140 BPM |