Cello Concerto: IV. Competative Chaos by Ned Rorem, Wen-Sinn Yang, Royal Scottish National Orchestra, José Serebrier Song Details

"Cello Concerto: IV. Competative Chaos" by Ned Rorem, Wen-Sinn Yang, Royal Scottish National Orchestra, José Serebrier had its release date on September 1, 2007. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Rorem: Piano Concerto No. 2 - Cello Concerto". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. Cello Concerto: IV. Competative Chaos is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Cello Concerto: IV. Competative Chaos by Ned Rorem, Wen-Sinn Yang, Royal Scottish National Orchestra, José Serebrier having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.

Music Key

This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -32.118 dB
Acousticness: 97%
Danceability: 16%
Energy: 2%
Instrumentalness: 92%
Liveness: 10%
Loudness: 46%
Speechiness: 4%
Valence: 3%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Who is Sylvia?, Op.18, No.2 - Instrumental	Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon	E♭ Major	1	5B	138 BPM
Mouvements perpétuels, n°3 alerte	Francis Poulenc, Alexandre Tharaud	D Minor	1	7A	67 BPM
To Lizbie Brown, Op.15, No.7 - Instrumental	Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon	C Minor	1	5A	73 BPM
Romanze F Minor: Romanze F Minor	Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner	F Minor	0	4A	166 BPM
Divertimento for Strings, BB 118 (Sz.113): II. Molto adagio	Béla Bartók, Orpheus Chamber Orchestra	B♭ Major	1	6B	105 BPM
Our Town, Act II: "Well, George, How are You?"	Ned Rorem, David Kravitz, Brendan Buckley, Angela Gooch, Gil Rose	F Major	3	7B	84 BPM
To Be Sung Of A Summer Night On The Water	Frederick Delius, Handel and Haydn Society, Grant Llewellyn	B♭ Major	0	6B	76 BPM
Suite, Op. 157b: II. Divertissement	Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes	F♯ Major	0	2B	82 BPM
Romanze, Op. 14	Leó Weiner, Ditta Rohmann, Istvan Kassai	E Major	1	12B	169 BPM
The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir)	Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala	E Major	1	12B	169 BPM
A Child of our Time, Part I: The world turns on its dark side (Chorus)	Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis	E Minor	0	9A	64 BPM
Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo	Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon	C Major	0	8B	96 BPM
The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Variation (Fish Creatures) (Helen Tunstall, harp; Joy Farrall, clarinet)	Benjamin Britten, London Sinfonietta, Oliver Knussen	D Major	1	10B	150 BPM
Balakirev: Berceuse in D-Flat Major	Mily Balakirev, Bertrand Chamayou	D♭ Major	1	3B	70 BPM
Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo	Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen	E Minor	2	9A	134 BPM
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto	Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg	A Major	0	11B	80 BPM
Our Town, Act III: "Coming! Morning, Mama. Morning, Papa"	Ned Rorem, David Kravitz, Angela Gooch, Margot Rood, Brendan Buckley, Gil Rose	A Minor	3	8A	86 BPM
Petit Quatour pour Saxophones - Arr. Rainer Schottstadt: 2. Cantilène	Jean Françaix, The Clarinotts	F Minor	0	4A	134 BPM
Clarinet Sonata No. 2, Op. 120 No. 2: I. Allegro amabile	Johannes Brahms, Nicola Boud, Anthony Romaniuk	A♭ Major	1	4B	134 BPM
Prelude-Pastorale in A Major	Anatoly Lyadov, Marco Rapetti	B Major	1	1B	124 BPM
Stille Musik: I. Walzer des Augenblicks	Valentin Silvestrov, Munich Chamber Orchestra	A Minor	0	8A	60 BPM
Schumann: Romanzen, Op. 94: II. Einfach, innig	Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos	A Major	0	11B	114 BPM
Riessler: Bachmachine	Michael Riessler, Sabine Meyer, Trio Di Clarone	C Major	0	8B	74 BPM
Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis)	Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic	E♭ Major	0	5B	73 BPM
Remember Me (Arr. Hough for Piano) - From "Coco"	Stephen Hough	F Major	0	7B	85 BPM