"Merry Christmas, Darling" by Renée Fleming, Chris Botti had its release date on January 1, 2013. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 4 out of 13 in Christmas In New York by Renée Fleming. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Merry Christmas, Darling's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Merry Christmas, Darling by Renée Fleming, Chris Botti is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vide Cor Meum | Patrick Cassidy, Anthony Hopkins, Danielle de Niese, Bruno Lazzaretti, Libera, The Lyndhurst Orchestra, Gavin Greenaway | A Major | 2 | 11B | 84 BPM | ||
| Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
| Faust, CG 4, Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 1: "Marie Theres'!" - "Octavian!" | Richard Strauss, Renée Fleming, Sophie Koch, Munich Philharmonic Orchestra, Christian Thielemann | A Major | 2 | 11B | 95 BPM | ||
| La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
| Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
| Il Trionfo del Tiempo e del Disinganno, HWV 46a: "Lascia la spina cogli la rosa" | George Frideric Handel, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | E Major | 1 | 12B | 180 BPM | ||
| Caro mio ben | Tommaso Giordani, Cecilia Bartoli, György Fischer | E♭ Major | 0 | 5B | 74 BPM | ||
| Wheels of a dream [Ragtime] | Stephen Flaherty, Renée Fleming, Bryn Terfel, Paul Gemignani, Orchestra of the Welsh National Opera | D♭ Major | 3 | 3B | 130 BPM | ||
| West Side Story: XIIId. Somewhere | Leonard Bernstein, Marilyn Horne, Leonard Bernstein Orchestra | E Major | 1 | 12B | 88 BPM | ||
| Tannhäuser / Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram) | Richard Wagner, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | C Major | 3 | 8B | 99 BPM | ||
| Carmina Burana: No. 21, In trutina | Carl Orff, Simona Saturova, Ferhan & Ferzan Önder, Martin Grubinger | D Major | 0 | 10B | 80 BPM | ||
| Serse, HWV 40, Act I: Ombra mai fù, "Largo" | George Frideric Handel, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | E♭ Major | 1 | 5B | 153 BPM | ||
| Tosca, Act 2: "Vissi d'arte" | Birgit Nilsson | A♭ Major | 4 | 4B | 82 BPM | ||
| À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
| Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
| Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
| Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Montserrat Caballé, Sir Charles Mackerras, London Symphony Orchestra | C Major | 1 | 8B | 72 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
| Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
| Selige Nacht | Joseph Marx, Renée Fleming, Jean-Yves Thibaudet | D♭ Major | 1 | 3B | 128 BPM | ||
| Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
| I puritani: Qui la voce sua soave | Vincenzo Bellini, Luba Orgonasova, Slovak Radio Symphony Orchestra, Will Humburg | A♭ Major | 1 | 4B | 100 BPM | ||
| Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 0 | 10B | 80 BPM | ||
| Vier letzte Lieder: 1. Frühling | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 0 | 10B | 98 BPM |