III. Vivace - Allegro - Pastorale ad libitum (Largo) by Arcangelo Corelli, London Baroque, Charles Medlam Song Details

Arcangelo Corelli, London Baroque, Charles Medlam's 'III. Vivace - Allegro - Pastorale ad libitum (Largo)' had a release date set for September 30, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 19 out of 19 in Christmas Music - Scarlatti, A. / Corelli, A. / Pachelbel, J. / Bach, J.S. by Emma Kirkby, London Baroque, Charles Medlam. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. III. Vivace - Allegro - Pastorale ad libitum (Largo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of III. Vivace - Allegro - Pastorale ad libitum (Largo) by Arcangelo Corelli, London Baroque, Charles Medlam is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -19.546 dB
Acousticness: 79%
Danceability: 21%
Energy: 12%
Instrumentalness: 8%
Liveness: 13%
Loudness: 67%
Speechiness: 5%
Valence: 32%

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