On January 1, 2000, the song "Hare Krishna Hare Rama" was released by Kumar Vishu. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kumar Vishu's "Govind Bolo Hari Gopal Bolo" album is number 5 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Hare Krishna Hare Rama is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hare Krishna Hare Rama by Kumar Vishu to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Om Bhagwate Gajananaye | Ravindr Sathe | C Major | 9 | 8B | 94 BPM | ||
| jay baldhari bahuchar maa | Hari cassettes | D♭ Major | 4 | 3B | 132 BPM | ||
| Shankar Teri Jatao Se | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 7 | 4B | 123 BPM | ||
| Mera Sankat Katane Wala Hain | Manish Tiwari | F♯ Major | 4 | 2B | 177 BPM | ||
| Nrisingha Arati | Shivram Dasa | G Minor | 4 | 6A | 101 BPM | ||
| Shant Ho Guru Datta | Mandar Apte | F♯ Minor | 4 | 11A | 112 BPM | ||
| Mere Sarkar Aaye Hai | Devki Nandan Thakur Ji Maharaj | A Minor | 6 | 8A | 82 BPM | ||
| Aathwa Adhyay | Maaruti Mohataa | E♭ Major | 6 | 5B | 108 BPM | ||
| Kaho Priya Hanuman Ram Kab Aayenge | Pawan Tiwari | E Minor | 7 | 9A | 84 BPM | ||
| Ghoomerdar Lahango | Tripti Shakya, Kumar Vishu, Shalini Shrivastav | E Major | 4 | 12B | 171 BPM | ||
| Maja Barsat Ka Chaho | Vinod Agarwal | F♯ Major | 7 | 2B | 92 BPM | ||
| Kar Man Pe Adhikaar | Kumar Vishu | B♭ Minor | 4 | 3A | 95 BPM | ||
| Aaju mon laagay udaas | Maithili Thakur | D♭ Major | 6 | 3B | 148 BPM | ||
| Shiva Stuti Mantra - Karpur Gauram Karunavtaram | Purushottam Upadhyay | F Major | 7 | 7B | 146 BPM | ||
| Mahamantra Ye Shiv Shankar Ka | Narendra Chanchal | F Minor | 6 | 4A | 121 BPM | ||
| Radhe Radhe Dhuni | Rahul Choudhary | C Major | 7 | 8B | 168 BPM | ||
| Ram Tumhara Dham Chhodkar | Chandan Dass | F Minor | 4 | 4A | 99 BPM | ||
| Bala Ji Bhakto Ko Pyara Hai | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | F♯ Minor | 5 | 11A | 95 BPM | ||
| Hai Matwala Mera Rakhwala | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 7 | 7B | 173 BPM | ||
| Racha Hai Shristi Ko Jis Prabhu Ne | Kashyap Vora | D Major | 6 | 10B | 93 BPM | ||
| Jay Saraswati Mata | Satish Dehra | F Major | 5 | 7B | 92 BPM | ||
| Sai Sumiran Karo | Bhai Ajay | D♭ Major | 7 | 3B | 110 BPM | ||
| Sau Nayan Gochar | Prem Prakash Dubey | F Minor | 7 | 4A | 88 BPM | ||
| Le Chal Apni Nagariya Avadh Bihari Saawariya | Rasraj Maharaj | D♭ Minor | 7 | 12A | 93 BPM | ||
| Shyam Pyari Ji Kunj Bihari | Baba Rasika Pagal | E Major | 8 | 12B | 127 BPM |