Cipriano de Rore, Elam Rotem's ' "Com'havran fin le dolorose tempre - harpsichord" was released on its scheduled release date, April 15, 2024. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 14 in Cipriano de Rore: Madrigals for four voices by Cipriano de Rore, Profeti Della Quinta. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Com'havran fin le dolorose tempre - harpsichord is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Com'havran fin le dolorose tempre - harpsichord by Cipriano de Rore, Elam Rotem is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ricercare | Francesco Spinacino, Circa 1500, Emily Van Evera, Nancy Hadden, Robert Meunier, Christopher Wilson, Erin Headley | C Minor | 0 | 5A | 94 BPM | ||
| Stucky : Whispers | Steven Stucky, Chanticleer | G Minor | 0 | 6A | 109 BPM | ||
| Heu me, Domine | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
| Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
| Harp Consort No. 9 in D Major: Pavin on a them by Cormacke | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Non avra ma'pieta questa mia donna | Francesco Landini, Unicorn Ensemble, Michael Posch | E♭ Minor | 1 | 2A | 134 BPM | ||
| Angelus ad pastores | Giovanni Battista Bovicelli, Cipriano de Rore, Caecilia-Concert | A Minor | 0 | 8A | 74 BPM | ||
| Guerrero: Alma mirad vuestro Dios | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Offertorium: II. Hostias et preces | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 139 BPM | ||
| Conductus Deus misertus hominis | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Daniela Cermakova, Kamila Mazalová | A Minor | 0 | 8A | 81 BPM | ||
| Vespro della Beata Vergine, SV 206: VIII. Psalm "Nisi Dominus" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | D Major | 2 | 10B | 80 BPM | ||
| Da l'estrem'orizonte | Cipriano de Rore, Consort Of Musicke, Anthony Rooley | G Minor | 1 | 6A | 132 BPM | ||
| La bella netta ignuda e bianca mano | Cipriano de Rore, Profeti Della Quinta | D♭ Minor | 1 | 12A | 71 BPM | ||
| Missa de Requiem: II. Kyrie | Pierre de Manchicourt, Utopia Ensemble | F Major | 0 | 7B | 87 BPM | ||
| Taverner: Missa Gloria Tibi Trinitas - Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | F Minor | 1 | 4A | 130 BPM | ||
| Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
| Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Crecquillon: Pater peccavi - 2. Quanti mercenarii | Thomas Crecquillon, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 77 BPM | ||
| Brumel: Missa Et Ecce Terrae Motus - 01. Kyrie 1 | The Tallis Scholars, Peter Phillips | F Major | 1 | 7B | 176 BPM | ||
| Vespro della Beata Vergine, SV 206: VI. Antiphon "Laetatus sum" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
| Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 2 | 8A | 130 BPM | ||
| Missa Iste confessor domini: Kyrie Ib | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | G Minor | 3 | 6A | 80 BPM |