"Da l'estrem'orizonte" by Cipriano de Rore, Consort Of Musicke, Anthony Rooley had its release date on March 19, 2018. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Da l'estrem'orizonte's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 14 in Cipriano de Rore: Il quinto libro di Madrigali (1568) by Cipriano de Rore, Consort Of Musicke, Anthony Rooley. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Da l'estrem'orizonte's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Da l'estrem'orizonte by Cipriano de Rore, Consort Of Musicke, Anthony Rooley is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" | Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
| Missa O lumen ecclesie: Christe | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 3 | 11A | 78 BPM | ||
| Lachrimae or Seven Tears: III. Lachrimae gementes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Canzoni da suonare, Op. 17: No. 18, La Cavagliera | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
| Breve è la vita nostra | Domenicho Mazzocchi, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 125 BPM | ||
| Facultad organica: No. 18, Quarto tiento de quarto tono, FO 18 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 119 BPM | ||
| In manus tuas | Thomas Tallis, Alamire, David Skinner | G Minor | 3 | 6A | 80 BPM | ||
| Cantate domino, SV 292 (arr. for instruments) | Claudio Monteverdi, Les Cris De Paris, Geoffroy Jourdain | G Minor | 1 | 6A | 77 BPM | ||
| Missa Gaudeamus: IV. Gloria in excelcis Deo | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 2 | 8A | 76 BPM | ||
| Zefiro torna e di soavi accenti, SV 251 | Claudio Monteverdi, Bellot Ensemble, Lucine Musaelian, Kieran White | F♯ Major | 2 | 2B | 101 BPM | ||
| Couperin, L: Suite en fa: V. Tombeau de Mr. de Blancrocher, G. 81 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol | E♭ Major | 0 | 5B | 67 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | ||
| Angelus ad pastores | Giovanni Battista Bovicelli, Cipriano de Rore, Caecilia-Concert | A Minor | 0 | 8A | 74 BPM | ||
| Airs à quatre parties, Livre I: Que feray-je? | Jean Boyer, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | D Minor | 2 | 7A | 76 BPM | ||
| Omnes de Saba venient | Jacobus Gallus, Apollo5 | B♭ Major | 3 | 6B | 142 BPM | ||
| Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
| Go, Perjured Man | John Blow, Cesare Morelli, Reginald Mobley, Brandon J. Acker, Douglas Balliett | A♭ Major | 0 | 4B | 66 BPM | ||
| Non è, lasso, martire | Cipriano de Rore, Consort Of Musicke, Anthony Rooley | F♯ Major | 2 | 2B | 95 BPM | ||
| Lachrimæ Gementes | John Dowland, Les Voix Humaines, Nigel North | G Major | 1 | 9B | 81 BPM | ||
| MISA IN TE DOMINE SPERAVI: Gloria | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Ave, dulcissima Maria | Carlo Gesualdo, The Monteverdi Choir, Jonathan Sells | D Minor | 2 | 7A | 74 BPM | ||
| Hacomplaynt: Salve Regina: III. O clemens, o pia, o dulcis | Robert Hacomplaynt, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Minor | 1 | 2A | 68 BPM | ||
| Palestrina: Missa Papae Marcelli - 4a. Sanctus | The Tallis Scholars, Peter Phillips | F♯ Major | 1 | 2B | 86 BPM |