On 1987, the song "5 TO 0 (FIVE TO MIDNIGHT)" was released by George Yanagi. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "NIGHT OWL CLUB". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Japan. In terms of popularity, 5 TO 0 (FIVE TO MIDNIGHT) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 5 TO 0 (FIVE TO MIDNIGHT) by George Yanagi having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 百萬弗コネクション | REBECCA | B Minor | 10 | 10A | 98 BPM | ||
| 曳航 | Shogo Hamada | G Major | 4 | 9B | 90 BPM | ||
| 無言のDIALOGUE - 2022 Remaster | Kiyotaka Sugiyama | E Minor | 7 | 9A | 87 BPM | ||
| LAST TRAIN - 2022 Remaster | Carlos Toshiki And Omega Tribe | E Minor | 8 | 9A | 89 BPM | ||
| LONELY JOURNEY | Tatsuhiko Yamamoto | F♯ Minor | 5 | 11A | 123 BPM | ||
| 夜明けのスターライト | Kiyomi Suzuki | E♭ Major | 7 | 5B | 75 BPM | ||
| 渚のすべて - 2016 remaster | Kiyotaka Sugiyama | D Major | 8 | 10B | 126 BPM | ||
| LIFE (STANDIN' ON THIS WORLD) | ICE | C Major | 9 | 8B | 129 BPM | ||
| 翼を拡げて ~ Open Your Heart ~ | Hiroshi Tachi | F Minor | 8 | 4A | 130 BPM | ||
| DARLIN' DARLIN' - 2011 Remix 2023 Remaster | NOBODY | C Major | 9 | 8B | 128 BPM | ||
| Miss You Baby (アルバム・バージョン) | Masaki Ueda | F Major | 4 | 7B | 80 BPM | ||
| 春待ちロマン | Yuko Hara | E Major | 6 | 12B | 131 BPM | ||
| 八番目の虹の色 | Toshinobu Kubota | A Major | 4 | 11B | 72 BPM | ||
| White Days | Misato Watanabe | F Major | 5 | 7B | 84 BPM | ||
| 8月の長い夜 | TM NETWORK | A Major | 6 | 11B | 125 BPM | ||
| ガラスの恋人 | Masamichi Sugi | G Major | 6 | 9B | 121 BPM | ||
| やっぱ好きやねん’96 | Takajin Yashiki | B♭ Major | 5 | 6B | 144 BPM | ||
| パシフィック・ブルー | Tatsuhiko Yamamoto, クロス・ビート | B Major | 3 | 1B | 73 BPM | ||
| レフト・アローン | Masaki Ueda | F Major | 4 | 7B | 88 BPM | ||
| Mother's Touch | Fumiya Fujii | C Major | 4 | 8B | 76 BPM | ||
| RAINBOW RAINBOW | TM NETWORK | E♭ Major | 4 | 5B | 143 BPM | ||
| 桜 | Hideaki Tokunaga | D♭ Minor | 7 | 12A | 120 BPM | ||
| 真夜中の太陽 | Toshinobu Kubota | D Major | 9 | 10B | 117 BPM | ||
| I'M IN BLUE | Koji Kikkawa | C Major | 6 | 8B | 130 BPM | ||
| モノローグ - 2022 Remaster | Kiyotaka Sugiyama | D♭ Minor | 6 | 12A | 75 BPM |