"PM's Love Theme" by Craig Armstrong had its release date on 2003. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. PM's Love Theme's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Craig Armstrong's "Love Actually (Original Motion Picture Score)" album is number 32 out of 33. On top of that, United Kingdom appears to be the country where this track was created. PM's Love Theme is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of PM's Love Theme by Craig Armstrong to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lunch Hour | Craig Armstrong | C Major | 2 | 8B | 140 BPM | ||
| To Olivia | Debbie Wiseman | A Minor | 1 | 8A | 71 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| The John Dunbar Theme (From "Dance with Wolves" Soundtrack) | John Barry, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
| Coronation | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 4 | 8B | 87 BPM | ||
| Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
| As Far As Florence | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 1 | 10B | 73 BPM | ||
| The Hilltop | Max Richter | D Major | 5 | 10B | 80 BPM | ||
| Eshkeri: Flying Vessel | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 4 | 9B | 83 BPM | ||
| Your Hands Are Cold - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | D Major | 0 | 10B | 143 BPM | ||
| Sisters | Amelia Warner | C Major | 2 | 8B | 67 BPM | ||
| Unchained Melody (From "Ghost") - Orchestral Version | Maurice Jarre | D Major | 2 | 10B | 145 BPM | ||
| Footloose and Fancy Free | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| On The Bench | Craig Armstrong | E♭ Minor | 1 | 2A | 75 BPM | ||
| Climbing For A Kiss | Rupert Gregson-Williams | A Minor | 1 | 8A | 82 BPM | ||
| Adieu Athos | Guillaume Roussel | C Major | 3 | 8B | 170 BPM | ||
| The Adventure of Life | Maurizio Malagnini, Peter Salem | G Major | 3 | 9B | 83 BPM | ||
| Kingdom Of Atlantis | Rupert Gregson-Williams | C Minor | 3 | 5A | 109 BPM | ||
| Behind the Goal | Giosuè Greco | E Major | 3 | 12B | 130 BPM | ||
| Títulos Finales | Fernando Velázquez | D Major | 2 | 10B | 113 BPM | ||
| Frank The HandyMan | Rolfe Kent | A Minor | 1 | 8A | 106 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| New Years Eve (From "The Age of Adaline") | Rob Simonsen | A♭ Major | 0 | 4B | 78 BPM | ||
| I'm Forrest... Forrest Gump | Alan Silvestri | F Major | 0 | 7B | 104 BPM | ||
| Zero | Hans Zimmer | C Major | 2 | 8B | 144 BPM |