Paul Meyers's ' "Across The Room" was released on its scheduled release date, May 31, 1984. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 16 in Candlelight by Various Artists. Based on our statistics, Across The Room's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Across The Room by Paul Meyers is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Andante and Allegro from Tango Suite: Allegro | Astor Piazzolla, Yo-Yo Ma, Jorge Calandrelli | G Major | 3 | 9B | 153 BPM | ||
| Basswave | Markus Stockhausen, Ferenc Snétberger, Arild Anderson | D Minor | 4 | 7A | 126 BPM | ||
| Choix de mes fleurs chéries, Op. 46: No. 4, Le Jasmin | Mauro Giuliani, Mats Bergström | D Major | 6 | 10B | 130 BPM | ||
| Confessions | Lluis Capdevila | A♭ Minor | 1 | 1A | 77 BPM | ||
| Dawn | Velvet Loops | A Major | 5 | 11B | 72 BPM | ||
| Grimasch Om Morgonen | Cornelis Vreeswijk, vision string quartet | A Major | 5 | 11B | 72 BPM | ||
| Improvisation et caprice: I. Improvisation | Eugène Bozza, Jean-Pierre Baraglioli | C Major | 1 | 8B | 127 BPM | ||
| Fui Senhor por Ti Remido | Tiago Daniel, Playback CCB | B♭ Major | 3 | 6B | 188 BPM | ||
| Bye Bye Starlight | Francesco Moglia, Vito Zeno | A Major | 5 | 11B | 72 BPM | ||
| Abuelo | Manu Norena | B♭ Major | 4 | 6B | 78 BPM | ||
| El Eco de Un Tambor: 7. Tema Final | Prism Quartet, Miguel Zenón | F Major | 1 | 7B | 79 BPM | ||
| Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | A Major | 5 | 11B | 72 BPM | ||
| 4 Piano Pieces: No. 4, Gavotte | Sergei Rachmaninoff, Boris Giltburg | A Major | 5 | 11B | 72 BPM | ||
| Phalanx Suite: Prolog | R.Kuhn, Rüdiger Edgar Kuhn | F Major | 2 | 7B | 96 BPM | ||
| Haunted | Ralph Towner | A Minor | 1 | 8A | 81 BPM | ||
| Wanderin' G | Billy Thompson, Peter Lemer | G Major | 2 | 9B | 122 BPM | ||
| Rewind | Ralph Towner | D Major | 2 | 10B | 106 BPM | ||
| Valsa da Mouraria | Bernardo Couto, Bernardo Moreira, Luís Figueiredo | C Major | 3 | 8B | 102 BPM | ||
| Summer's Gone | Eddie Daniels | F♯ Major | 3 | 2B | 115 BPM | ||
| Alone at the Lakeside | Mia Brentano, Benyamin Nuss, Billy Test | D Major | 0 | 10B | 81 BPM | ||
| Canción de Amor | Antonio Serrano, Kaele Jiménez | A Minor | 2 | 8A | 113 BPM | ||
| Guitarra Piccante | Ralph Towner | E Minor | 1 | 9A | 133 BPM | ||
| Visions, Pt. 4 "Peregrination": Picture 4 | Tomasz Trzcinski | A Major | 3 | 11B | 114 BPM | ||
| Outra Coisa | Anat Cohen, Marcello Gonçalves | B♭ Minor | 1 | 3A | 170 BPM | ||
| Collectici intim: No. 3, La Calma (Calm) | Vicente Asencio, Otto Tolonen | E Minor | 0 | 9A | 136 BPM |