William Schuman, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz's 'The Orchestra Song (Version for wind ensemble)' had a release date set for August 7, 2012. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. The Orchestra Song (Version for wind ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 23 in Distinguished Music for the Developing Wind Band, Vol. 3 by Rutgers Symphonic Band, Rutgers Wind Ensemble, William Berz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Orchestra Song (Version for wind ensemble)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Orchestra Song (Version for wind ensemble) by William Schuman, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto in D Major, Op. 35: II. Romanze. Andante | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 0 | 9B | 86 BPM | ||
| The Firebird Suite (1919 Version): Finale - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | ||
| George Washington Bridge | William Schuman, United States Marine Band, Michael J. Colburn, Timothy W. Foley | D Major | 3 | 10B | 125 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | C Major | 1 | 8B | 65 BPM | ||
| Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
| Brian: Symphony No. 7 in C Major: I. Allegro moderato | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | A Minor | 3 | 8A | 103 BPM | ||
| Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino | Paul Hindemith, Leonard Bernstein, New York Philharmonic | F Minor | 1 | 4A | 84 BPM | ||
| Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 1 | 12A | 95 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: IV. Finale. Allegro con spirito | Oskar Böhme, Center City Brass Quintet, Jack Sutte | E♭ Major | 2 | 5B | 101 BPM | ||
| Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, London Symphony Orchestra, Sir Charles Mackerras | A Minor | 0 | 8A | 113 BPM | ||
| Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot, Scherzo. Moderato - Lebhaft | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 92 BPM | ||
| Trombone Concerto: II. Quasi una leggenda: Andante grave (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| Organ Concerto in G Minor, FP 93: III. Andante moderato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Major | 0 | 3B | 79 BPM | ||
| Horn Concertino in E Minor, Op. 45, J. 188: I. Adagio - Andante | Carl Maria von Weber, Czech Philharmonic, Václav Neumann, Zdeněk Tylšar | E Major | 0 | 12B | 85 BPM | ||
| Grand Canyon Suite: 4. Sunset | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | D Major | 1 | 10B | 84 BPM | ||
| Dona nobis pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 88 BPM | ||
| Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Overture: Overture | Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo | B Major | 0 | 1B | 112 BPM | ||
| The Pines of the Appian Way (The Pines of Rome) | US Marine Band | B♭ Major | 1 | 6B | 87 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| L'oiseau de feu (1919 Suite): Ia. Introduction [Live] | Igor Stravinsky, Bavarian Radio Symphony Orchestra, Mariss Jansons | B Major | 0 | 1B | 136 BPM | ||
| Courtly Airs and Dances: VI. Allemande | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | E Minor | 0 | 9A | 71 BPM | ||
| Trombone Concerto: III. Finale. Maestoso | Launy Grøndahl, Christian Lindberg, Bamberg Symphony, Leif Segerstam | F♯ Major | 1 | 2B | 82 BPM | ||
| Symphony No. 3 In D Minor / Part 2: 6.- Tempo I. Ruhevoll - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | D Major | 0 | 10B | 81 BPM |