On November 5, 1997, the song "Memories By the Score" was released by John Holt. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "The Further You Look / Dusty Roads". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Memories By the Score's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Memories By the Score by John Holt having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Love With a Dreadlock | Kofi | G Major | 6 | 9B | 138 BPM | ||
| Pretty Cottage | Stranger Cole, Gladstone Anderson | B♭ Major | 5 | 6B | 140 BPM | ||
| Three Blind Mice | Max Romeo | B Major | 1 | 1B | 79 BPM | ||
| Give Me That Touch | Deborahe Glasgow | B Minor | 4 | 10A | 83 BPM | ||
| Life | Bob Andy | B Minor | 3 | 10A | 150 BPM | ||
| Missing You | Ambelique | G Major | 3 | 9B | 82 BPM | ||
| Sugar Love | Vivian Jones | G Major | 6 | 9B | 85 BPM | ||
| Too Long Will Be Too Late | Freddie, Jenny | F Minor | 5 | 4A | 80 BPM | ||
| Your Honour | Pluto Shervington | B♭ Major | 7 | 6B | 137 BPM | ||
| On the Last Day | Justin Hinds & The Dominoes | G Major | 4 | 9B | 75 BPM | ||
| Love Is a Hurting Thing | Jimmy London | F Major | 4 | 7B | 90 BPM | ||
| Wherever I Lay My Hat | Delano Stewart | B♭ Major | 5 | 6B | 116 BPM | ||
| Never Never Never (feat. John Holt) | Rene Byrd, John Holt | B Major | 6 | 1B | 82 BPM | ||
| Got to Change Your Ways | Jimmy London | C Major | 3 | 8B | 139 BPM | ||
| Keep It Like It Is | Louisa Mark | B♭ Major | 5 | 6B | 103 BPM | ||
| Madness (Bonus Track) | The Maytones | F♯ Major | 4 | 2B | 79 BPM | ||
| Born to Be Loved | The Maytones | F♯ Major | 5 | 2B | 76 BPM | ||
| Turning Point (Where Do I Turn) | Slim Smith | C Minor | 6 | 5A | 72 BPM | ||
| Duppy Gun Man | Ernie Smith | G Major | 7 | 9B | 146 BPM | ||
| Time Is the Master | John Holt | C Major | 5 | 8B | 108 BPM | ||
| Silly Wasn't I | Sharon Forrester | C Major | 3 | 8B | 77 BPM | ||
| Shirley | Larry Marshall | A Major | 3 | 11B | 140 BPM | ||
| I'd Love You To Want Me | John Holt | A Major | 3 | 11B | 84 BPM | ||
| Master Plan | Willie Williams | G Major | 4 | 9B | 172 BPM | ||
| I Do | Ijahman Levi | F Major | 5 | 7B | 74 BPM |