トルヴェール・クヮルテット, Toshiyuki Honda's ' "ヒグルディ・ピグルディ" was released on its scheduled release date, October 8, 1997. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in トルヴェール・クヮルテット, Toshiyuki Honda's "HIGH FIVE" album is number 2 out of 13. On top of that, Japan appears to be the country where this track was created. The popularity of ヒグルディ・ピグルディ is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of ヒグルディ・ピグルディ by トルヴェール・クヮルテット, Toshiyuki Honda to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oster-Oratorium, BWV 249: II. Adagio - Arr. By Enrique Crespo | Johann Sebastian Bach, German Brass | A Minor | 0 | 8A | 72 BPM | ||
| Different Geometry for Solo Clarinet | Peter Graham, Kamil Doležal | B♭ Minor | 0 | 3A | 163 BPM | ||
| III. With gaiety | Paul Creston, Donald Sinta, Nelita True | D Major | 2 | 10B | 140 BPM | ||
| Serenata from "Pulcinella" | Igor Stravinsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra | D Minor | 6 | 7A | 123 BPM | ||
| Adios Nonino | Eric Baret, Yves Jeanne, Françis Prost, Florent Héau, Bruno Desmouillieres | C Minor | 0 | 5A | 116 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Minor | 0 | 4A | 70 BPM | ||
| Sonatine pour basson et piano: II. Aria largo cantabile | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 0 | 8A | 130 BPM | ||
| トルヴェールの《四季》「秋」: トルヴェールの《四季》「秋」: II. アダージョ・モルト | Antonio Vivaldi, トルヴェール・クヮルテット, 小柳美奈子 | F Minor | 0 | 4A | 75 BPM | ||
| Saxophone Sonata, Op. 19: I. With Vigor | Paul Creston, Ivo Janssen, Arno Bornkamp | B Major | 2 | 1B | 135 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | F Minor | 0 | 4A | 70 BPM | ||
| アトム・ハーツ・クラブ・クァルテット: Yoshimatsu: アトム・ハーツ・クラブ・クァルテット - III. スケルツォ | Takashi Yoshimatsu, トルヴェール・クヮルテット | G Major | 0 | 9B | 101 BPM | ||
| Trombonsillo | Carolina Calvache, Achilles Liarmakopoulos | E♭ Major | 0 | 5B | 135 BPM | ||
| An American in Paris: Blues | Nubilaria Clarinet Ensemble | A♭ Major | 1 | 4B | 70 BPM | ||
| Suite, Op. 157b: I. Ouverture | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | D♭ Major | 0 | 3B | 66 BPM | ||
| Debate entre la Sombra y la Hoguera | Adán Ramírez | B Major | 0 | 1B | 73 BPM | ||
| Thema und Variationen, Op. 13 | Franz Strauss, Stefan Dohr, Markus Becker | E♭ Major | 0 | 5B | 68 BPM | ||
| Tuba Suite: II. Andante espressivo | Don Haddad, David Zerkel, Paolo Andre Gualdi | B♭ Minor | 3 | 3A | 79 BPM | ||
| Euphonium Concerto: I. Allegro assai | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | A Major | 1 | 11B | 72 BPM | ||
| Quintet No. 1 in B-Flat Minor: III. Allegro moderato | Victor Ewald, Center City Brass Quintet | B♭ Major | 1 | 6B | 138 BPM | ||
| Suite from "The Victorian Kitchen Garden": IV. Exotica. Allegro ritmico | Paul Reade, Michael Collins, Michael McHale | A Minor | 2 | 8A | 152 BPM | ||
| La Fontaine D' Arethuse from Mythes, Op. 30 | Karol Szymanowski, Keiko Tokunaga | D♭ Minor | 2 | 12A | 71 BPM | ||
| Libertango | 宮田 大, ジュリアン・ジェルネ | B Major | 1 | 1B | 97 BPM | ||
| Someome to Watch over Me (with Catherine Milledge) | George Gershwin, Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| サクソフォン・パラダイス II | トルヴェール・クヮルテット, Toshiyuki Honda | B♭ Major | 1 | 6B | 74 BPM | ||
| Oboe Sonata, FP 185: III. Déploration | Francis Poulenc, Alex Klein, Phillip Bush | F♯ Minor | 2 | 11A | 136 BPM |