New Trinity Baroque's ' "Stabat Mater: XIII. Amen" was released on its scheduled release date, November 17, 2008. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Stabat Mater: XIII. Amen is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Stabat Mater: XIII. Amen by New Trinity Baroque having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto a cinque No. 12, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 113 BPM | ||
| Stabat Mater: XIII. Amen | New Trinity Baroque | E Major | 1 | 12B | 71 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Concerto No. 6 in E flat for Harpsichord, Strings & Continuo - Orchestration reconstructed by Ottavio Dantone: 1. Allegro moderato | Alessandro Scarlatti, Ottavio Dantone, Accademia Bizantina | D Major | 2 | 10B | 144 BPM | ||
| Concerto Decimo Con L'Eco, B Dur: II. Larghetto | Alessandro Marcello, Venice Baroque Orchestra | E Major | 0 | 12B | 85 BPM | ||
| Sarabanda (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
| Concerto in A minor a 4 violini: 3. Largo | Giuseppe Torelli, Musica Antiqua Köln, Reinhard Goebel | E♭ Major | 1 | 5B | 78 BPM | ||
| Sonata in B minor, Op.3, No.4: 2. Vivace - Adagio | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | B♭ Minor | 1 | 3A | 131 BPM | ||
| Sonata in G Minor, Op. 2, No. 3: I. Adagio | Benedetto Marcello, Collegium Pro Musica | F♯ Minor | 1 | 11A | 80 BPM | ||
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. Adagio | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Symphony in C Major, J-C 4: I. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Mystery Sonata No. 9 "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Minor | 1 | 1A | 110 BPM | ||
| Divertimento à 3 in D Major: III. Allegro | Ignaz Holzbauer, Camerata Köln | D♭ Major | 1 | 3B | 108 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Messe de Minuit, H. 9: Gloria | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Randol Rodriguez, Etienne Bazola, Marie-Frédérique Girod, Caroline Weynants | C Major | 2 | 8B | 94 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: IV. Menuet alternativement | Johann Friedrich Fasch, Il Gardellino | D Major | 0 | 10B | 77 BPM | ||
| Cantata I. Ad Pedes (To the Feet): V. Dulcis Jesu [Bass] | Dietrich Buxtehude, New Trinity Baroque, Predrag Gosta | C Minor | 1 | 5A | 144 BPM | ||
| Missa Circumcisionis, ZWV 11: Credo in unum Deum | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | E Major | 0 | 12B | 121 BPM | ||
| Concerto for 2 Flutes and Lute in E Minor, TWV 53:E2: IV. Menuet | Georg Philipp Telemann, Gunther Holler, Christoph Huntgeburth, Cappella Coloniensis, Hans-Martin Linde | E♭ Major | 1 | 5B | 76 BPM | ||
| Concerto for 2 Oboes and Bassoon in C Minor, FWV L:C2: III. Allegro | Johann Friedrich Fasch, Marcel Ponseele, Taka Kitazato, Alain De Rijckere, Il Gardellino | B Minor | 2 | 10A | 96 BPM | ||
| Symphony in D Major: II. Andantino | Samuel Wesley, Matthias Bamert, London Mozart Players | G Minor | 0 | 6A | 82 BPM | ||
| Missa Circumcisionis, ZWV 11: Cum Sancto Spiritu | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | E Major | 0 | 12B | 121 BPM | ||
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: I. Andante | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |