"Orfeo and Euridice" by Mark Sibelius had its release date on February 19, 2023. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Outsider". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Orfeo and Euridice is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orfeo and Euridice by Mark Sibelius having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata. Allegro | Charles-Marie Widor, Christian Schmitt | F Major | 3 | 7B | 104 BPM | ||
| Thalben-Ball: Elegy | George Thalben-Ball, Ian Tracey | G Minor | 0 | 6A | 98 BPM | ||
| Leer Mij, O Heer', den Weg Door U Bepaald' | Pieter Heykoop | F♯ Major | 0 | 2B | 182 BPM | ||
| Organ Symphony No. 1 in D Minor, Op. 14: VI. Finale | Louis Vierne, Bertalan Hock | A Major | 2 | 11B | 78 BPM | ||
| Self Control | Marie Glacier | G Minor | 2 | 6A | 64 BPM | ||
| Litanies (Arr. M. Norrefalk) | Jehan Alain, Hans Fagius | D♭ Major | 2 | 3B | 72 BPM | ||
| Entering | YezziBack | A Major | 1 | 11B | 126 BPM | ||
| Psalm 111 | Wilbert Magré | D Major | 1 | 10B | 63 BPM | ||
| Clavier-Übung III: Aus tiefer Not schrei ich zu dir, BWV 686 | Johann Sebastian Bach, James McVinnie | B♭ Minor | 3 | 3A | 53 BPM | ||
| Orgelkoraal Psalm 25, "Heer wijs mij toch zelf de wegen" - Instrumentaal | Jorrit Woudt | G Major | 1 | 9B | 116 BPM | ||
| Be Stars | Libra Moon | E♭ Major | 1 | 5B | 114 BPM | ||
| Romae Villae | Mikko Finneman | B Minor | 1 | 10A | 84 BPM | ||
| Barboniade | Michelle Legauffe | C Major | 2 | 8B | 56 BPM | ||
| I. Introduction - Choral | Léon Boëllmann, Gerard Brooks | D Major | 2 | 10B | 92 BPM | ||
| Mars | Joost van Belzen, Peter Wildeman | F Major | 3 | 7B | 124 BPM | ||
| Improvisation: Lasst uns froh und munter sein (Walcker-Eule, St. Annenkirche, Annaberg )Hauptwerk[ | Paul Fey | A Major | 1 | 11B | 96 BPM | ||
| Twelve Compositions for Organ: No. 6, Grand Choeur | Frank Kaman | G Minor | 2 | 6A | 107 BPM | ||
| Jerusalema | Martijn Koetsier | D♭ Major | 1 | 3B | 65 BPM | ||
| Psalm 72 "Zijn Naam moet eeuwig eer ontvangen" - Fantasie & Fuga | Jan Zwart | G Minor | 4 | 6A | 129 BPM | ||
| Solveg's Song | Joost van Belzen, Peter Wildeman | G Minor | 1 | 6A | 87 BPM | ||
| Evening for the Past | Ernesto Vallini, Neon Lilith, Massimo Lisi, Gabrielle La Ville | G Minor | 1 | 6A | 73 BPM | ||
| Saint-Saëns: The Swan (Le Cygne) | Conrad Zwicky | G Major | 0 | 9B | 69 BPM | ||
| VIP Bride | 高木 洋 | F Major | 5 | 7B | 78 BPM | ||
| Orfeo and Euridice | Mark Sibelius | A Major | 1 | 11B | 111 BPM | ||
| Elevazione | Padre Joseph | F Minor | 1 | 4A | 73 BPM |