"Aftermath" by Brian Tyler had its release date on June 26, 2006. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The Fast And The Furious: Tokyo Drift (Original Score)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Aftermath is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aftermath by Brian Tyler having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Number Is 47 | Geoff Zanelli | A Minor | 1 | 8A | 112 BPM | ||
| The Transported Man | The Prestige | E Major | 1 | 12B | 127 BPM | ||
| A Kind Of Peace | Jesse Harlin | E Minor | 3 | 9A | 85 BPM | ||
| Welwala | Clinton Shorter | D Minor | 1 | 7A | 73 BPM | ||
| I Am The Clock (12 Monkeys Suite) | Trevor Rabin, Paul Linford | D Minor | 3 | 7A | 145 BPM | ||
| The Break You Should've Been Looking For | Mark Isham | B Major | 0 | 1B | 71 BPM | ||
| Assembling the Team | Brian Tyler | B Minor | 6 | 10A | 98 BPM | ||
| Park Chase | Andrea Guerra | A Major | 1 | 11B | 104 BPM | ||
| Remember | West Dylan Thordson | B Major | 2 | 1B | 89 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| Close to the Flame | Tony Morales | E Minor | 0 | 9A | 114 BPM | ||
| The Creed | Jed Kurzel | B♭ Minor | 3 | 3A | 121 BPM | ||
| Waves | Deborah Lurie | C Minor | 1 | 5A | 84 BPM | ||
| Sarah Wake Up | Fil Eisler | C Minor | 2 | 5A | 74 BPM | ||
| Meeting Darius | Trevor Morris | F Major | 4 | 7B | 180 BPM | ||
| Flight To Nome | Atli Örvarsson | F Major | 5 | 7B | 150 BPM | ||
| Beginning | Gustaf Grefberg, Sam Hulick | F Major | 0 | 7B | 69 BPM | ||
| Haiku | Thomas Newman | F♯ Major | 1 | 2B | 80 BPM | ||
| Camp | Ben Salisbury, Geoff Barrow | D Major | 1 | 10B | 63 BPM | ||
| Hope Stevens | Thomas Newman | D♭ Major | 0 | 3B | 78 BPM | ||
| Hiring Eddie | Paul Leonard-Morgan | G Major | 8 | 9B | 113 BPM | ||
| Voyeurism | Geoff Zanelli | A Minor | 0 | 8A | 84 BPM | ||
| Alpha | Marc Streitenfeld | C Major | 2 | 8B | 73 BPM | ||
| Future Glory | Jed Kurzel | B♭ Minor | 7 | 3A | 84 BPM | ||
| Engle's Legacy | Nathan Furst | F Major | 1 | 7B | 69 BPM |