Nat King Cole's ' "I Was A Little Too Lonely (And You Were A Little Too Late) - 20-Bit Mastering/1999 Digital Remaster" was released on its scheduled release date, January 7, 1957. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 18 in After Midnight: The Complete Session by Nat King Cole. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, I Was A Little Too Lonely (And You Were A Little Too Late) - 20-Bit Mastering/1999 Digital Remaster's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of I Was A Little Too Lonely (And You Were A Little Too Late) - 20-Bit Mastering/1999 Digital Remaster by Nat King Cole is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How Could You? | Michael Gamble & The Rhythm Serenaders | C Major | 2 | 8B | 165 BPM | ||
| I Was A Little Too Lonely (And You Were A Little Too Late) - 20-Bit Mastering/1999 Digital Remaster | Nat King Cole | F Major | 3 | 7B | 142 BPM | ||
| Rip Van Winkle | Lily Wilde and her Jumpin' Jubilee Orchestra | D♭ Major | 3 | 3B | 134 BPM | ||
| They Can't Take That Away From Me | Ella Fitzgerald, Louis Armstrong | E♭ Major | 2 | 5B | 105 BPM | ||
| Swingin' | Saunders King | A♭ Major | 4 | 4B | 99 BPM | ||
| Swingin' At Newport - Live At The Newport Jazz Festival, 1957 | Count Basie Orchestra | D Minor | 6 | 7A | 163 BPM | ||
| Sugar Blues | Ella Fitzgerald and Her Famous Orchestra | D Minor | 2 | 7A | 99 BPM | ||
| The Calloway Boogie | Cab Calloway | B♭ Major | 7 | 6B | 169 BPM | ||
| Any Little Time | Rachael & Vilray | A Major | 2 | 11B | 124 BPM | ||
| Going Back To New Orleans | Joe Liggins, Honeydrippers | A Minor | 4 | 8A | 178 BPM | ||
| Banana Split For My Baby - Remastered | Louis Prima, Keely Smith, Sam Butera & The Witnesses | D♭ Major | 6 | 3B | 177 BPM | ||
| I'm Your Levee Man | Luke Winslow-King | C Major | 4 | 8B | 110 BPM | ||
| Will You Be My Quarantine? | Eyal Vilner Big Band | G Minor | 5 | 6A | 122 BPM | ||
| What Did You Win | Joe Williams, Count Basie | B♭ Major | 3 | 6B | 133 BPM | ||
| Steppin´Out With My Baby | Bun-Jon & The Big Jive | C Minor | 6 | 5A | 88 BPM | ||
| Easy Does It | The Big 18 | D♭ Major | 1 | 3B | 125 BPM | ||
| Swing Brother Swing | Miss Sophie Lee | A Minor | 4 | 8A | 172 BPM | ||
| I'm Beginning To See The Light | The Ink Spots | F Major | 2 | 7B | 113 BPM | ||
| They Can't Take That Away From Me | Sarah Vaughan | B♭ Major | 2 | 6B | 126 BPM | ||
| My Man Stands Out - Alternate Take | Julia Lee And Her Boyfriends | A♭ Major | 4 | 4B | 123 BPM | ||
| When Lights Are Low | Dakota Staton | C Minor | 4 | 5A | 96 BPM | ||
| I'm Not Ready | Rachael & Vilray | A Major | 4 | 11B | 93 BPM | ||
| Tea For Two | Benny Goodman Quartet | A♭ Major | 4 | 4B | 130 BPM | ||
| Caldonia | Woody Herman & His Orchestra | F Minor | 8 | 4A | 133 BPM | ||
| Blues Is A Woman | Lou Rawls, Les McCann Ltd. | G Major | 2 | 9B | 132 BPM |