"Hänsel und Gretel: Prelude "The Witch's Ride"" by Engelbert Humperdinck, Gürzenich Orchester Köln, Sir John Pritchard had its release date on 1961. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 12 in Fright Night: Music That Goes Bump in the Night by The Philadelphia Orchestra, The Cleveland Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Hänsel und Gretel: Prelude "The Witch's Ride" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hänsel und Gretel: Prelude "The Witch's Ride" by Engelbert Humperdinck, Gürzenich Orchester Köln, Sir John Pritchard is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wagner: Tannhäuser, Act 2: "O Himmel! Laß dich jetzt erflehen!" (Wolfram, Tannhäuser) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson | A Minor | 1 | 8A | 99 BPM | ||
| Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
| Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro | Hector Berlioz, Sir Simon Rattle, Berliner Philharmoniker | A♭ Major | 2 | 4B | 80 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
| Kapitel 3 - Hänsel und Gretel | Oper für die Kleinsten, Engelbert Humperdinck, Marina Mehlinger, Manja Kloss, Luca Zamperoni, Hans Henrik Wöhler | F Major | 3 | 7B | 105 BPM | ||
| The Bartered Bride: ACT II, Furiant | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 1 | 7B | 131 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 10, Proficiscere, anima Christiana (The Priest) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt | D Major | 2 | 10B | 86 BPM | ||
| Wagner: Tannhäuser, Act 1: "Frau Holda kam aus dem Berg hervor" (Hirt) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Dorothea Röschmann, Staatskapelle Berlin | E Minor | 0 | 9A | 103 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor | Antonín Dvořák, Sir Charles Mackerras, Philharmonia Orchestra | G Minor | 0 | 6A | 173 BPM | ||
| Kaiserwalzer, Op. 437 (Arr. Wirth) - Live | Johann Strauss II, Vienna Boys' Choir, Chorus Primus, Wiener Chormädchen, Gerald Wirth | C Major | 2 | 8B | 80 BPM | ||
| Im chambre séparée | Richard Heuberger, Anna Netrebko, Piotr Beczala | D Major | 1 | 10B | 171 BPM | ||
| Der Karneval in Paris, Galopp, Op. 100 | Johann Strauss I, Wiener Philharmoniker, Yannick Nézet-Séguin | G Minor | 0 | 6A | 173 BPM | ||
| Symphony No. 1 in D Major, D. 82: III. Menuetto. Allegretto – Trio | Franz Schubert, Berliner Philharmoniker, Nikolaus Harnoncourt | D Major | 0 | 10B | 126 BPM | ||
| Giordano: Andrea Chénier, Act I: "O pastorelle, addio!" | Umberto Giordano, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | A Major | 0 | 11B | 137 BPM | ||
| Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
| Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
| Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | ||
| Die Meistersinger von Nürnberg - Act 3: "Sankt Krispin, lobet ihn!" | Richard Wagner, Adolf Dallapozza, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 109 BPM | ||
| Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 83 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin | F Major | 1 | 7B | 81 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
| Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Minor | 1 | 8A | 92 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 78: No. 3 in A-Flat Major | Antonín Dvořák, Sir Charles Mackerras, Philharmonia Orchestra | G Minor | 0 | 6A | 173 BPM | ||
| Act 1: Scene Three: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | A Minor | 1 | 8A | 77 BPM |